Canon EOS-1D X first hands-on (video)

Professional photographers know the drill: every few years, Canon or Nikon announces a game-changing DSLR, often prompting top photogs to unload their complete kits and switch to another system in a never-ending attempt to shoot with the best. This time, Canon is first out of the gate, with its flagship EOS-1D X — the latest in a series that dates back to 2001 with the EOS-1D. As you’ve probably noticed, the company’s new top model looks virtually identical to its decade-old ancestor, but is otherwise a far cry from that four megapixel CCD sensor-sporting dinosaur. We’ve been anxiously awaiting an opportunity to check out Canon’s new $6,800 18.1 megapixel full-frame model since first getting word of the beastly camera last week, and just had a chance to go hands-on during the company’s Pro Solutions event in London. Jump past the break for our impressions and a video walkthrough.

Continue reading Canon EOS-1D X first hands-on (video)

Canon EOS-1D X first hands-on (video) originally appeared on Engadget on Tue, 25 Oct 2011 07:00:00 EDT. Please see our terms for use of feeds.

Permalink   |   | Email this | Comments

Nikon D300s travels to the edge of space, survives to share the results

If you’re going to go to the trouble of sending a camera to the edge of space, you might as well send one capable of doing the trip justice, right? That hasn’t always been the case with similar DIY attempts (for obvious reasons), but the team behind the so-called Cygnus “spacecraft” decided to go all out when they sent their weather balloon / beer cooler contraption aloft this month to photograph the curvature of the Earth. In this case, going all out meant sending a Nikon D300s DSLR equipped with Tokina 11-16mm f/2.8 lens, which managed to capture some stunning pictures like the one you see above — although some got a bit obscured by ice build-up. There’s more where that came from at the Flickr link below, and you can check out a video of the launch after the break.

[Thanks, Udi]

Continue reading Nikon D300s travels to the edge of space, survives to share the results

Nikon D300s travels to the edge of space, survives to share the results originally appeared on Engadget on Sun, 23 Oct 2011 14:49:00 EDT. Please see our terms for use of feeds.

Permalink DIY Photography  |  sourceErich Leeth (Flickr)  | Email this | Comments

iPhone 4S 1080p Video Is Great, But Can’t Beat a DSLR

No, the iPhone 4S won't replace your pricy DSLR, but it does take great HD video. Image: Robino Films

The iPhone 4S is receiving rave reviews for its fantastic camera, which can record surprisingly good video at 1080p. One videographer, in fact, was so impressed with the camera’s performance, he decided to test how it measures up to a full-fledged DSLR camera used for HD video capture.

Robino Films compared the HD video shot with an iPhone 4S with the video from a Canon 5D MK II, a popular DSLR, on similar settings. The iPhone 4S, which can shoot 1080p video at 30 frames per second, could theoretically give amateurs a great way to capture high-quality video, even in various tricky lighting situations — much like the iPhone 4 did for still photography.

“I was blown away by how good the video quality was,” said Robino Jones of the iPhone 4S’ video capabilities. “The resolution was nice. There was very little aliasing and moire was not visible. I really think that Apple made an amazing 1080p video camera, and to be able to carry that much power in your pocket is awesome.”

Knowing that the iPhone was “crippled” in comparison to the DSLR, Robino did his best to use similar settings when comparing the two cameras. The Canon 5D Mark II was set with an ISO of 160 to 640 and an F-stop of 7 to 22 (varied to match that of the iPhone). The DSLR was also set to a shutter speed of 1/60 of a second, automatic white balance, standard picture style, and 1080p at 30 fps.

Despite its great-for-a-smartphone camera specs (which we describe below), Robino Films said the iPhone fell short of the DSLR in six areas: compression (the iPhone 4S produces noisy video, even in daytime shots); sensor size (the iPhone’s is extremely small); lens quality (great for a smartphone, but nowhere near that of a DSLR); and the inability to adjust frame rate, shutter speed or picture style. However, Jones said, “the iPhone 4S is holding very well against the 5D’s standard picture style.” The smartphone also produces a warmer image overall.

Jones said the iPhone scores points on resolution (which is better than on the 5D) and portability. He also praised really great dynamic range. The 5D’s video has a softer overall look, and more aliasing and moire.

In a comment on Vimeo, Jones said, “This test is really only to show that the 4S is coming close to the 5D but in NO WAY is it better. The iPhone is a great 1080p pocket camera and shows us where technology is heading. Give it two, three years, and we should see some interesting micro high performance cameras.”

As for the iPhone camera of today, the 4S features impressive specs. It shoots 1080p video with real-time image stabilization (to help mitigate the problems of a wobbly hand) as well as temporal noise reduction (to enhance low-light capture). The camera boasts a maximum aperture of f/2.4 and five lenses for sharper, brighter photos with a shallower field of focus. A backside-illuminated sensor paired with an image-processor on the phone’s A5 chip help things run quickly and smoothly.

Check out the video below to see how the iPhone 4S and Canon 5D Mark II’s 1080p video footage measures up side-by-side. Vimeo’s HD content only goes up to 720p, but you can download the 1080p footage to check it out yourself.

iPhone 4S / Canon 5d MKII Side by Side Comparison from Robino Films on Vimeo.

via TUAW


Canon’s New Flagship EOS-1D X: Crop-Frame Speed With a Full-Frame Sensor

The new EOS-1D X is impressive in every way — except looks

Canon has announced a new flagship DSLR, the EOS-1D X. The camera is supposed to take the place of the fast-shooting crop-sensor 1D Mk IV and the multi-megapixel full-frame 1DS Mk III.

The main draw is that you’re getting a full-frame 18MP camera that can shoot at 12fps whilst autofocusing. For comparison, the 1DS does 21 megapixels at 5fps, and the sportier 1D manages 16 megapixels at 10fps.

This makes it a great all-rounder, but studio shooters may prefer the extra pixels over the faster shooting speed, and many sports photographers prefer a crop-frame sensor as it effectively makes their lenses 50 percent longer.

The new EOS-1D X is also heavy on video, shooting 1080p footage at 24p (with plenty of other options). It will also split movies when you reach the 4GB limit without dropping a frame, letting you shoot for up to half an hour in one go. The camera is clearly aimed at pro movie shooters, with other features like “SMPTE-compliant timecode embedding,” and manual control of sound levels.

The press release over at DP REview has the full, exhaustive rundown of this ridiculously capable new camera, but I’ll mention just one more thing. The new AF system has face detection and recognition to let it track moving people. This is obviously most useful for sports.

My (currently up for sale) Nikon D700 is pretty tenacious in its focus-tracking, but add in face recognition and you could probably just let the camera shoot the football game on its own.

The EOS-1D X will launch in March 2012 for $6,800.

EOS-1D X press release [DP Review]

See Also:


Canon announces EOS-1D X: full-frame 18MP sensor, 14 fps, 204,800 top ISO, $6,800 price tag

Stick a piece of gaffer tape over the unmistakable X, and Canon’s latest EOS-1D pro-level camera will look virtually identical to every 1D model that came before it. But once you flip up the power slider, this new king of the jungle will hum like no other. Canon’s phenomenally powerful EOS-1D X really sounds like the DSLR to rule them all. Its 18 megapixel full-frame sensor uses oversized pixels to battle noise and is supported by a pair of Digic 5+ imaging processors, which also help drive a 61-point high density reticular AF system, a top ISO setting of 204,000 (51,200 native), a 252-zone metering system, a 14 fps JPEG (or 12 fps RAW) burst mode and a built-in wired gigabit LAN connection, for remote shooting and image transfer. The camera’s curious single-letter name represents a trio of industry milestones: the X is the 10th generation Canon professional SLR (dating back to the F1 in the 1970s), it’s a crossover model, filling in for both the 1D Mark IV and 1Ds Mark III (which has been discontinued), and, well, it sounds to be pretty darn “Xtreme.”

The 1D X is being marketed to every category of professional photographer, from commercial studio shooters to newspaper photogs. It’s familiar, with a similar control layout, yet different, thanks to its completely redesigned system menu — accessed using the 3.2-inch, 1,040,000-dot LCD. There’s also an incredibly sharp intelligent optical viewfinder, with an on-demand grid, AF status indicator, a dual-axis electronic level and a shooting mode readout. Video shooters can choose between 1080p video capture at 24 (23.97), 25 or 30 fps, or 720p at 50 or 60 fps. Canon has also eliminated the 4GB clip limit, though individual clips are limited to 29:59, in order to avoid European tax rates affecting HD cameras that can capture single HD video clips longer than 30 minutes. We’re anxiously awaiting a chance to go hands-on with the EOS-1D X, and you’ll have to wait until March before adding this $6,800 beauty to your gear collection, but jump past the break for the meaty rundown from Canon, and click through the rather thin product gallery below.

Continue reading Canon announces EOS-1D X: full-frame 18MP sensor, 14 fps, 204,800 top ISO, $6,800 price tag

Canon announces EOS-1D X: full-frame 18MP sensor, 14 fps, 204,800 top ISO, $6,800 price tag originally appeared on Engadget on Tue, 18 Oct 2011 01:00:00 EDT. Please see our terms for use of feeds.

Permalink   |   | Email this | Comments

BlueSLR dongle arrives for BlackBerry and (some) Android phones

Offering to play matchmaker between your high-end camera and smartphone, XEquals has extended support for its BlueSLR remote control beyond iOS. Yes, Blackberry and Android users can now download their respective app and pair this Bluetooth dongle to their (still Nikon-only) DSLR. The compatible dongle and free app will land later this month, but before you lay down the requisite $149, it’s worth checking that both your camera and phone models are supported. As it stands, compatible Android phones are limited to some HTC or Samsung models. While Android support is likely to expand in the future, there’s no word on a Pre 3 version.

Continue reading BlueSLR dongle arrives for BlackBerry and (some) Android phones

BlueSLR dongle arrives for BlackBerry and (some) Android phones originally appeared on Engadget on Mon, 17 Oct 2011 15:07:00 EDT. Please see our terms for use of feeds.

Permalink   |  sourceBlueSLR  | Email this | Comments

Finland hopes this amazing time-lapse video of aurora borealis will make you want to visit

Traveling to Finland for your winter vacation may not sound like the ideal way to spend your time off during those chilly months. Most people take a trip down to Mexico or other places with warmer climates. Lapland, a particularly cold area in Northern Finland with a subarctic climate, sees winters that last up to […]

Sony A77 reviewed: A 24.3 megapixel game-changer?

It’s been a long time coming, but the patience has paid off with Sony’s A77 finally getting its first pro review. Sure, the $1,400 cost of entry (body only) will weigh heavily on even the most enthusiastic cameraman conscious. But, what’s a few hundred dollars when it comes to a camera that Popular Photography says has “radically changed the world of DSLRs”? It seems only the rival Canon 7D holds a candle to this would-be king, besting Sony’s latest when it comes to noise and performance at higher ISOs. However, the A77 wins on its all-around charm, with a 24.3 megapixel Exmor APS-C sensor, articulated LCD screen, world-first OLED EVF and impressive video-shooting chops. Video-wise, that top dollar gets you a high-end performance of 60fps at 1920 x 1080 with the fast phase-detection auto-focus we’ve also seen on its predecessors, the Sony A55 and A33.

Popular Photography does add a single caveat to the largely very positive conclusion: video enthusiasts should probably hold tight to see what Canon and Nikon counter with. Especially if you’re in possession of multiple lenses. Aside from that, what’s stopping you? Dig in to all the nitty-gritty details below, and we’d advise cutting down on those impulse eBay purchases — this magnesium-alloyed beauty will certainly make a financial dent when it lands, if not a physical one.

Sony A77 reviewed: A 24.3 megapixel game-changer? originally appeared on Engadget on Mon, 03 Oct 2011 13:18:00 EDT. Please see our terms for use of feeds.

Permalink   |  sourcePopular Photography  | Email this | Comments

Nikon 1 J1 review (video)

So, Nikon finally has a mirrorless camera, after what was quite possibly the most dramatic launch event the company has ever conducted. Sure, competing models from Panasonic, Olympus and Sony have already reached the second, or even third generation before Nikon lifted the veil on its J1, but did last month’s long-awaited announcement bring us the ILC to rule all ILCs? Well, no, not at all. Nikon isn’t targeting pros or even advanced amateur shooters with its latest addition to the interchangeable lens camera family. Instead, the company is marketing its J1 to soccer moms (and dads), fashion-conscious young folk, and casual shooters who want some of the versatility of a DSLR, but are willing to sacrifice excellent image quality for a more compact design. But what about the rest of us? Will Nikon one day reward our patience with a true class competitor? Perhaps, but that’s definitely not what we have here.

Nikon built the $650 J1 “from the ground up” — a reference to its 10.1 megapixel, CX-size sensor with a 2.7x crop factor, along with a handful of quirky features that we probably won’t use, but that some of you (or perhaps your family members) may love. Jump past the break to see what we really liked about the camera, and what left us rather unimpressed. And it you’re dying to judge its performance for yourself, you can check out a handful of untouched images at the coverage link below the conclusion, along with a variety of sample videos spattered throughout.

Continue reading Nikon 1 J1 review (video)

Nikon 1 J1 review (video) originally appeared on Engadget on Mon, 03 Oct 2011 12:00:00 EDT. Please see our terms for use of feeds.

Permalink   |   | Email this | Comments

Red Nikon D3100 now available exclusively at Best Buy

Nikon may be generous with the paint colors for its more compact cameras, but it’s been a decidedly different story for its DSLRs (unlike some other camera makers). There is one new non-DIY option available courtesy of Best Buy, however, which is now offering an exclusive red version of the Nikon D3100. Unfortunately, while it has the same $650 list price as the regular D3100 (including an 18-55mm VR kit lens), it doesn’t have the same $100 discount that Best Buy’s currently offering on the standard black model.

Red Nikon D3100 now available exclusively at Best Buy originally appeared on Engadget on Fri, 30 Sep 2011 13:41:00 EDT. Please see our terms for use of feeds.

Permalink   |  sourceBest Buy  | Email this | Comments