Sony Alpha ultra-compact concept hands-off: leaves much to the imagination

We’d love nothing more than to extol the merits of Sony’s Alpha ultra-compact concept with an interchangeable lens — which bears a striking resemblance at face value to Olympus and Panasonic’s Micro Four Thirds standard — but alas, the little device is hidden behind glass. Furthermore, all the Sony reps we managed to corner wouldn’t answer our questions. Will the lenses be interchangeable with Sony’s current Alpha DSLR line, or any of the MFT lenses? What’s been cut from traditional Four Thirds models to accommodate for the drop in size? Radio silence, save for a repeat of this morning’s information and a finger point to the adjacent ”
Exmor APS HD CMOS” sign — which, as we know from this morning, is larger than a Four Thirds sensor, but we’re not sure how much. Still, enjoy the pics we managed to take from behind the glass — and also be sure to enjoy the shots of this morning’s other Sony announcements, the
Super Telephoto Lens (500mm F4 G) and the prototype Distagon T 24mm F2 ZA SSM.


Sony Alpha ultra-compact concept hands-off: leaves much to the imagination originally appeared on Engadget on Sun, 21 Feb 2010 16:19:00 EST. Please see our terms for use of feeds.

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Sony intros Alpha DSLR concepts, ‘ultra-compact’ interchangeable lens model included

PMA is just kicking off in earnest down in Anaheim, and it looks like Sony has arrived in a big way. Looking to make a splash in a DSLR world dominated by Canon and Nikon, the outfit has brought a few of its best and brightest concepts to SoCal. Up first is an ultra-compact “interchangeable lens” concept, which is no doubt Sony’s attempt to get in on the fledgling Micro Four Thirds game before it blows up big. Few details on the device are available, but we’ll be doing our best to pry whatever specifications we can from the booth representatives in short order. Moving on, there’s a conceptual model of the Alpha A700 replacement, complete with an Exmor APS HD CMOS sensor that promises full AVCHD video capabilities. There’s also a prototype of a Super Telephoto Lens (500mm F4 G) as well as a prototype Distagon T 24mm F2 ZA SSM, which ought to make wide angle junkies drool profusely. The company’s also dishing out a raft of accessories, including underwater housing devices, HD lenses and output cables, tripods / accessory packs and a Compact PictureStation photo printing kiosk. Stay tuned for some hands-on action from the show floor.

Sony intros Alpha DSLR concepts, ‘ultra-compact’ interchangeable lens model included originally appeared on Engadget on Sun, 21 Feb 2010 12:26:00 EST. Please see our terms for use of feeds.

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Sigma’s new DP2s, DP1x and SD15 shooters could make you poor with the click of a shutter

Perhaps it’s unfair to peg as “pricey” a trio of cameras with as yet unannounced pricing, but Sigma’s got a bit of rep in that department. It also has a reputation for cramming incredible sensors inside beautiful, minimalistic form factors, and that certainly doesn’t seem to be changing. The DP2s (pictured) and DP1x compacts (followups to the DP2 and DP1s, respectively) share a tweaked rear design that should hopefully make the notoriously obtuse cameras a bit easier to operate, and the DP1x is also putting the “Quick Set” button and True II processor from the DP2 to bear on its wide-angle view. Both cameras also boast a new, faster auto focus algorithm, but at the root of it all is the same old 14 megapixel DSLR-level CMOS sensor. In fact, Sigma’s also stuffing this DSLR-style sensor into a DSLR, the new SD15. It was originally announced way back in 2008, but it’s apparently really happening this time. It includes the same True II processor, a larger 3-inch LCD, and all those fancy DSLR perks like swappable lenses and a 77-segment AE sensor. Unfortunately, there’s no word on price or release dates for any of this trio just yet.

Sigma’s new DP2s, DP1x and SD15 shooters could make you poor with the click of a shutter originally appeared on Engadget on Sun, 21 Feb 2010 03:08:00 EST. Please see our terms for use of feeds.

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Pixel LV-WI Wireless Live View Remote Control: look out, family self-portraits

We’ve been live viewing our photos on our fancy new-gen DSLRs for a couple years now, even piping that live sensor data into our computer with a first party app, or, gasp, shooting video our magical newfangled cameras. But we haven’t done this yet. Pixel Enterprise Limited has just announced its new LV-W1 Wireless Live View Remote Control, which beams a live DSLR view over that well-worn 2.4GHz channel to a handheld remote with a 3-inch 960 x 240 LCD. It seems like a great idea, and while the future might make even fancier dreams come true — like a live WiFi 2, The Sequel-beamed image to our Windows Phone 8 Series handset, for instance — but for now this $335 kit should provide for some pretty spectacular Canon or Nikon moments.

Pixel LV-WI Wireless Live View Remote Control: look out, family self-portraits originally appeared on Engadget on Sat, 20 Feb 2010 22:02:00 EST. Please see our terms for use of feeds.

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Pentax K-x DSLR goes pink for Valentine’s Day, naturally

You know what the world needs? Another stereotypical pink gadget to commemorate a Hallmark holiday. Bitterness and shame aside, it looks as if Pentax has decided that too few people were using its custom color shop to craft completely pink K-x DSLRs, and in the honor of Saint Valentine, the company has decided to roll out another stock hue to sell alongside the red, white, black and navy blue versions. It’ll set you back around HK$5,990 (or $770 in greenbacks), but trust us, your honey is totally worth it.

Pentax K-x DSLR goes pink for Valentine’s Day, naturally originally appeared on Engadget on Sun, 14 Feb 2010 15:14:00 EST. Please see our terms for use of feeds.

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Canon Rebel T2i DSLR: 18MP and Legit 1080p Video for $899

The T1i’s not even a year old, and Canon’s knocking it down: The Rebel T2i pulls from the 7D, delivering 18 megapixels and legit 1080p video (24, 25 or 30fps) for $900.

The T2i pulls from the higher-end 7D almost the same way the T1i pulled from the 50D, though it has its own sensor that simply borrows the gapless microlens tech from the 7D, which was supposedly why it could cram 18MP onto an APS-C-sized chip without noise the size of boulders. (We’ll see if that’s the case.) The main thing you do lose from the 7D is that you only get a 4-channel readout with this sensor, vs. the 7D’s 8-channel, and it’s only got one DIGIC IV processor, not two.

It shoots at 18.1 megappixels, with an ISO range of 100-6400 (extended up to 12,800), with a 9-point AF (only the center point is cross-type though) and the 7D’s IFCL 63-layer dual-zone metering system, but adapted for the 9 AF points. Oh, and it shoots at 3.7FPS in bursts of up to 34 JPEG or six RAW.

The 1080p video isn’t gimped like the T1i, either, with fully select framerates (30, 24 or 25fps) and manual exposure (+/- 5 stops), plus the codec’s H.264. Sound’s mono, but you can jack in a stereo mic. Cutting it down to the 720p or standard def nets you 50 or 60fps. Also, there’s a new “movie crop” mode that effectively zooms in 7x by only using the center part of the sensor, though you only get standard def video out of it.

The interface, ergonomics and controls and more like the 7D’s as well, with a dedicated movie button and quick info screen, though you can’t customize the controls quite as extensively. The body’s not quite as durable, swapping metal for polycarbonite (one of the things the extra $1000 for the 7D gets you). The screen sounds impressive: 1.2-million dots should pop out of the 3-inch display. Lastly, for memory you’ve got your choice of SDHC of SDXC.

The Rebel’s getting shuffled a bit: The T1i is sliding down to be the new mid-entry-level, while the XSi is going away, and the XS sticks around as the bottom of the barrel DSLR.

At $899 for the kit with a pretty standard 18-55mm lens, or $799 body only, this, people, is the new entry-level camera to get when it hits in March. (At least on paper.)

THE NEW CANON REBEL T2i DIGITAL SLR TAKES ASPIRING PHOTOGRAPHERS BEYOND THE STILL WITH ADVANCED VIDEO FEATURES

The Family Camera is Back, Introducing the EOS Rebel T2i Featuring a Large 18-Megapixel
CMOS Sensor and Full HD Video Recording with Selectable Frame Rates up to 30 fps

LAKE SUCCESS, N.Y., February 8, 2010 – Canon U.S.A., Inc., a leader in digital imaging, today introduced the new flagship model for the Company’s highly popular Rebel DSLR line: the Canon EOS Rebel T2i Digital SLR camera. Today’s photo enthusiast is looking for a camera that will grow with them as they learn, and that is a perfect description of the new EOS Rebel T2i Digital SLR camera. Retaining all of the traditional characteristics that have made the EOS Rebel series beloved by entry-level photographers and an industry best-seller, the new Rebel T2i succeeds in bridging the gap between an entry-level camera and a true pro-sumer camera.

The Rebel T2i Digital SLR camera includes a variety of new features for photographic assignments as varied as grabbing that action shot from the sidelines or creating memorable family portraits, including: 3.7 fps shooting, an ISO range of 100-6400 (expandable to 12,800), a 63-zone Dual Layer Metering System, and Canon’s DIGIC 4 Imaging Processor. There are some moments in our lives where video helps capture the moment better than a still image, and the Rebel T2i offers the best of both worlds with Full HD 1080p video as well as 18-megapixel still images. The Rebel T2i DSLR continues Canon’s industry-leading trend in Full HD DSLR video capture with manual exposure control, selectable frame rates and a new external microphone input. There is also a new feature for standard definition recording, Movie Crop, which provides an approximate 7x additional zoom with no loss of image quality when shooting SD quality video.

“There is no question that HD video is the biggest trend in DSLR technology and because of this we are seeing the creativity of still photographers transferring to the moving image. Still photographers are using the various lenses and accessories they are already familiar with to create amazing video footage,” stated Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A. “Taking that HD video quality and putting it in the hands of entry-level photographers with cameras like our new EOS Rebel T2i, we are seeing a new generation of creative digital artists emerge.”

Lights, Rebel, Action – EOS HD Video
Canon’s EOS HD video capture has helped spark a major movement in digital imaging, empowering still photographers with the ability to experiment, learn and capture stunning high-definition video through a variety of creative lenses. Continuing this imaging revolution, the new EOS Rebel T2i puts entry-level photographers on the frontline equipped with all the latest EOS HD video features including full HD video at 1920×1080 resolution, selectable frame rates, full manual exposure control and the visual options of interchangeable lenses. Manual video exposure control provides novice filmmakers with the image control they are accustomed to in a still camera, all while shooting professional-level cinematic video. Professional photographers utilize creative lighting, adjustable depth-of-field and a variety of lenses to create powerful still images and video footage, and these are exactly the tools that the new Rebel T2i gives to budding photo and video enthusiasts. Adding a new professional-level feature for EOS cameras, the Rebel T2i includes an Auto ISO function that works in all Creative Zone exposure modes including Manual where users can set a limit to the highest ISO the camera will use, enabling them to retain the lighting and look they desire for a scene. By setting an Auto ISO range, videographers can retain dark shadow areas and avoid blowing out highlight areas in a scene while still retaining the benefit of automatic ISO adjustments. The Rebel T2i DSLR captures video in both NTSC (National Television System Committee) and PAL (Phase Altering Line) standards at selectable frame rates including Full HD 1920 x 1080 at 30 (29.97), 25 or 24 (23.976) fps, and HD 1280 x 720 or Standard Definition 640 x 480 quality video, at 60 (59.94) or 50 fps.

For easier video recording operation and familiar functionality for beginners, the Rebel T2i’s autofocus can be operated before or during video recording by pressing the shutter button half-way down in video mode. Another feature debuting in the Rebel T2i is Canon’s new Movie Crop mode, where the user can achieve 7x magnification when shooting SD video for a significantly increased “telephoto” effect. Unlike the digital zoom feature found in many compact digital cameras, Canon’s new Movie Crop mode actually crops the image directly from the CMOS sensor at full SD resolution to preserve maximum image quality and provide additional zoom power. The new Movie Crop feature is especially helpful for achieving extra full resolution zoom power when filming youth sports, such as a child running to the furthest end of a field. For better sound quality when shooting video, the Rebel T2i DSLR includes an external stereo microphone jack, a first for an EOS Rebel model, in addition to its built-in monaural microphone. These audio and video features supplement a tremendous range of additional must-have video features in an entry-level Digital SLR camera.

For enhanced viewing pleasure and easy video sharing at home, the HDMI video-out capability of the Rebel T2i DSLR includes a new Consumer Electronics Control (CEC) compatibility which allows users to play back still or video files on a CEC-compliant HDTV, using the TV remote to control the camera when connected via HDMI interface.

Camera Feature Set
The EOS Rebel T2i DSLR features a newly developed 18-million-pixel Canon CMOS imaging sensor providing outstanding resolution and light sensitivity for amazing poster-sized prints with fine detail and stunning color. The camera exhibits exceptional low-noise performance incorporating many of the same technologies used to reduce noise in professional cameras such as the EOS 7D. The Rebel T2i camera’s basic ISO range is an amazing 100~6400, and via a Custom Function, it can be extended to ISO 12,800. The outstanding ISO range combined with its noise reduction technology allows the Rebel T2i to capture outstanding low-light pictures at events such as candlelit birthday celebrations or recitals where flash photography may be prohibited.

The camera provides 3.7 fps continuous shooting for still photos, making it the fastest shooting Rebel model to date and enabling users to capture that great image of a little leaguer’s first swing. The camera features Canon’s proprietary iFCL 63-zone dual-layer metering system offering intelligent Evaluative metering with much finer segmentation than any previous EOS Rebel model. The new Rebel T2i also has an expanded ± 5 EV exposure compensation range allowing for much more versatility when shooting in extremely bright or dark environments; or when shooting HDR (high dynamic range) images.

The Rebel T2i DSLR includes a number of professional-level user-selectable Canon image processing features to enhance the image quality of in-camera JPEG files, and to tag RAW images for processing later through Canon’s Digital Photo Professional software (included with the camera). These features include Canon’s Auto Lighting Optimizer to enhance shadow detail and add contrast to “flat” scenes, Highlight Tone Priority adding up to one stop of detail in bright highlight areas, Peripheral Illumination Correction for automatic correction of vignetting, High ISO Noise Reduction with four user-selectable settings, and Long Exposure Noise Reduction applied to exposures one second or longer. These Canon image enhancements provide new photographers with professional quality automatic image correction on JPEG files right out of the camera.

The EOS Rebel T2i digital camera includes a new enhanced 3-inch LCD monitor featuring 1.04 million dots with a wide 3:2 aspect ratio, wider than previous EOS models. The Rebel T2i camera’s LCD monitor can display a full-screen video image utilizing the entire screen during playback. For maximum storage capacity the new EOS Rebel T2i Digital SLR camera is the first EOS model to support SDXC memory cards. With all the new and exciting features of the EOS Rebel T2i, the Rebel series continues to provide great Canon features such as Live View, a built-in pop-up flash, and the EOS integrated cleaning system, as well as compatibility with Canon EX-series Speedlites and Canon EF and EF-S lenses allowing users to fully explore multiple creative photographic possibilities. The new EOS Rebel T2i Digital SLR camera is also compatible with Canon’s new BG-E8 battery grip and new RC-6 wireless remote control for both still images and video capture.

Pricing and Availability
The Canon EOS Rebel T2i Digital SLR camera is scheduled to be delivered to U.S. dealers in early March, and will be sold in a body-only configuration at an estimated retail price of $799.99. It will also be offered in a kit version with Canon’s EF-S 18-55mm f/3.5-5.6 IS zoom lens at an estimated retail price of $899.99.

About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked fourth overall in the U.S. in 2009†, with global revenues of US $35 billion, is listed as number four in the computer industry on Fortune Magazine’s World’s Most Admired Companies 2009 list, and is on the 2009 BusinessWeek list of “100 Best Global Brands.” Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. At Canon, we care because caring is essential to living together in harmony. Founded upon a corporate philosophy of Kyosei – “all people, regardless of race, religion or culture, harmoniously living and working together into the future” – Canon U.S.A. supports a number of social, youth, educational and other programs, including environmental and recycling initiatives. Additional information about these programs can be found at www.usa.canon.com/kyosei. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss.

Canon T2i/550D walkthrough video:

Hasselblad creates 40 megapixel H4D-40 medium format camera, wants $20k for it

Tough though it may be to believe, Hasselblad’s 39 megapixel H3D II actually came out in 2007. Yeah, last decade. In other words, it’s about time we saw a true successor hit the market, and with PMA just about ready to get going in Anaheim, the bold and beautiful H4D-40 is making its grand entrance. Boasting a 40 megapixel sensor, this medium format behemoth — which we spotted in a leak late last month — also features a “True Focus” AF system and ships with an 80mm lens and a viewfinder. The kit is said to be shipping now across the globe for $19,995 (or €13,995 / £12,995 on that side of the pond), which should make choosing between a new shooter and a public college education remarkably difficult.

Hasselblad creates 40 megapixel H4D-40 medium format camera, wants $20k for it originally appeared on Engadget on Wed, 03 Feb 2010 02:11:00 EST. Please see our terms for use of feeds.

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How would you change Nikon’s D300S?

Nikon’s D300S isn’t exactly tailor made for D300 owners, but for those waiting patiently to jump into the semi-pro DSLR game, it offers up a pretty delightful array of specs. Boasting SD and CF slots, a 720p movie mode and 12.3 megapixels of sharp shooting goodness, this here cam received overwhelmingly positive reviews late last year. Strategically positioned between the full-frame D700 and the lesser-specced D90, we’re sure the D300S found its way into quite a few hearts (and under quite a few trees) between then and now. If you’ve been firing off snaps with one of these for a few months now, we’re curious to know how you’d tweak things if the power were yours. Does the “S” really add enough to the D300 package to warrant the boost in price? How’s the image quality? Is the video mode a-okay for your purposes? Spill your heart out in comments below — we’re here to hold your hand if necessary.

How would you change Nikon’s D300S? originally appeared on Engadget on Fri, 29 Jan 2010 22:52:00 EST. Please see our terms for use of feeds.

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Hydrophobia rain cover promises to keep your DSLR dry, mysterious

Alright, so a new rain cover for a DSLR isn’t the most exciting of developments, but the folks at Think Tank Photo have managed to put a bit of a new spin on the idea with their new Hydrophobia 70-200 and Hydrophobia 70-200 Flash covers (both based on the company’s pro-level 300-600 cover). Those, as you’ve probably discerned, will accommodate a DSLR with up to a 70-200 lens (and, in the latter case, a flash), and protect it during even the toughest downpours. What’s more, you can actually attach your DSLR and simply carry it by the rain cover, and the two sleeves are big enough to not only let you control the camera (with the help of a clear window ’round back), but swap out batteries or memory cards as well. Of course, this one doesn’t come cheap, with the basic model running $139, and the flash-accommodating model setting you back $145.

Hydrophobia rain cover promises to keep your DSLR dry, mysterious originally appeared on Engadget on Wed, 27 Jan 2010 08:40:00 EST. Please see our terms for use of feeds.

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Sony’s Stripped Down A450 Leaves All The Right Things Out

sony-a450

LAS VEGAS — Sony has joined the growing band of camera-makers that are announcing products at CES this year, instead of waiting for the upcoming PMA show as usual. The Alpha 450 is yet another model in Sony’s DSLR range, confusing the busy line-up even further.

It’s probably easier to tell you how the A450 differs from the nearest models in the range. The new DSLR has the same 14.2 megapixels as the A550, and the same auto-HDR (which combines the exposures of two frames). It loses the flip-out LCD screens of higher-specced Alpha-cams, and drops the “fast-AF live view system” which speeds up the typically sluggish AF in live-view modes. It also shoots at 7fps and has a long battery life due to the tech savings.

I’m pretty impressed with what Sony took out. The flip screen and fancy live-view features are nice, but they’re also frills. Sony seems to have cut back on all the non-essentials but left the good parts intact — the camera will shoot up to ISO 12800, for example, and has the body-style of the semi-pro 400 and 500 series cameras instead of the smaller shape of the 200 and 300 series. This makes it a good camera for the serious, stills-shooting enthusiast. The price has yet to be announced, but we’d take a guess that it will be at least $100 less than the launch price of the A500, which was $850.

Available February.

Sony boosts Alpha range with DSLR-A450 [DP Review]

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