Invisible Art Is Decoded With A Digital Camera

take_a_picture_wink.jpg

You might get thrown out of some art galleries for taking photos, but a gallery of work by two Toronto artists requires it. The series of “invisible paintings” (as the artists’ website calls them) uses LEDs that put out light outside the spectrum that our eyes can see. When you walk into the gallery, you get the art equivalent of John Cage’s 4’33”: several blank paintings on the walls.

However, thanks to the sensitivity of digital sensors, you can turn on your digital camera or pick up your cell phone and see the glowing images on the two-foot by three-foot canvas. The art is tuned to the presentation method too, depicting smiles and winks as you take its photo in a sort of a self-aware nod to its viewers.

Brad Blucher and Kyle Clements, the artists behind the project, say on their website that their goal is to expose the contrast between social media and digital technology, where everything is photographed and shared, and most art museums, where this type of sharing is frowned upon or even banned outright. See a video of them talking about the project after the break.

[via Make Magazine, Kyle Clements]

AIST shows off full-color night vision camera, well lit Bullwinkle figurine (video)

You might know them for seemingly ridiculous innovations like Segway shoes or the HRP-4C pop star robot, but the folks at AIST have put away the gimmicks for their latest invention — a full-color night vision camera. Produced by Nanolux, an arm of AIST, the camera uses a series of algorithms to read and process wavelengths reflected by objects lit with infrareds, allowing it to successfully reproduce reds, blues, and greens in the darkest of conditions. The company hopes to make the device available by the end of 2011 at a price point lower than conventional night vision cameras, and says they will work with different lenses to improve long-range photography for the device. Such an invention could have serious implications for fields like surveillance and wildlife observation, but fear not, AIST hasn’t lost its sense of humor — the company used a Bullwinkle figurine rotating on a Lazy Susan to demo its latest invention at Printable Electronics 2011. Check out the video after the jump.

Continue reading AIST shows off full-color night vision camera, well lit Bullwinkle figurine (video)

AIST shows off full-color night vision camera, well lit Bullwinkle figurine (video) originally appeared on Engadget on Wed, 02 Mar 2011 12:21:00 EDT. Please see our terms for use of feeds.

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Olympus SZ-30MR shoots 1080p video and 16MP stills simultaneously; Tough TG-810 is ‘crushproof’

Olympus just loosed a trio of compact cameras. Let’s start big with the €329 SZ-30MR. According to Olympus, the 30MR packs a backlit CMOS sensor with 24x (25-600mm) optical zoom and Dual Engine TruePic III+ processing. It also lays claim to being the first to simultaneously record 1080p video while shooting 16 megapixel stills — a feature Oly dubs, Multi Recording. The SZ-20 lacks the MR and dials back the zoom to 12.5x but costs a relatively modest €219.

Olympus also announced a silver or black TG-810 compact for €299. First and foremost is the cam’s claim for ruggedness: crushproof at a weight of 100kg (220 pounds); waterproof to 10 meters (32.8 feet); shockproof at a distance of 2 meters (6.56 feet); and freezeproof a temps to -10 degree celsius (14 degrees F). Otherwise, it boasts a 14 megapixel CCD sensor, a 5x (28-140mm) optical zoom, 720p movie mode, TAP control (for gloved use), GPS, and an electronic compass.

All three cameras feature a 3-inch LCD; HDMI; high ISO and sensor-based mechanical image stabilization; smart panorama, 3D photo, pet detection, and beauty modes; and SDXC and Eye-Fi card compatibility. Look for them to hit retail in March.

Continue reading Olympus SZ-30MR shoots 1080p video and 16MP stills simultaneously; Tough TG-810 is ‘crushproof’

Olympus SZ-30MR shoots 1080p video and 16MP stills simultaneously; Tough TG-810 is ‘crushproof’ originally appeared on Engadget on Wed, 02 Mar 2011 07:22:00 EDT. Please see our terms for use of feeds.

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Sony indicates all future Alpha models will include translucent mirrors

Sony indicates all future Sony Alpha models will include translucenct mirrors

That satisfying clunk of the mirror swinging up and away, the rapid-fire clatter of DSLRs going into burst mode, could be on its last legs. Well, for Sony Alphas at least. The company has confirmed that its translucent mirror tech, most recently confirmed to be coming to the A77 and earlier shown on the A55 and A33, will be coming to the entire Alpha line. The sensor actually captures light through the mirror itself, which is just reflective enough to allow for real-time focusing even while capturing video. It’s something of a bold move in the generally stoic DSLR market, and only time will tell whether it helps to boost Sony’s street cred up to Canon and Nikon levels.

Sony indicates all future Alpha models will include translucent mirrors originally appeared on Engadget on Sat, 26 Feb 2011 02:53:00 EDT. Please see our terms for use of feeds.

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How would you change Panasonic’s Lumix DFC-GF2?

We’re drowning in interchangeable lens options, but that’s far from being a bad thing. For those that finally caved and picked up Panasonic’s Lumix DFC-GF2, we’re interested to see how you’d change things if given that golden opportunity. Are you satisfied with the size, weight and design? How’s the low-light performance? Would you alter anything about the lens selection? Introduce a version that changes colors with the seasons? Go on and get creative in comments below — the GF3 needs some ideas, you know?

How would you change Panasonic’s Lumix DFC-GF2? originally appeared on Engadget on Fri, 25 Feb 2011 23:01:00 EDT. Please see our terms for use of feeds.

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Sony NEX-3 discontinued, probably has NEX-5 to blame

A dark shadow has befallen the Sony NEX-3 interchangeable lens camera, the shadow of being described as “no longer in production” by its maker’s official website. Coming out in June of last year alongside its more celebrated NEX-5 brother, the NEX-3 enjoyed some decent success with critics, mostly owing to its oversized 14.2 megapixel sensor, and showed no signs of struggling commercially, however Sony has seen fit to halt production within eight months of its introduction. Reasons haven’t yet been given, though we imagine people were willing to spend the extra cash to upgrade to 1080p video recording and a magnesium alloy body on the NEX-5, which is what rendered the NEX-3 expendable. At least we know the NEX-5 and the NEX-VG10 will keep E-mount lenses going into the future, so current NEX-3 owners should have little to worry about. If anything, their camera just became that extra bit more exclusive.

[Thanks, Gavin]

Sony NEX-3 discontinued, probably has NEX-5 to blame originally appeared on Engadget on Thu, 24 Feb 2011 03:23:00 EDT. Please see our terms for use of feeds.

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Samsung launches five more i-Function NX Series lenses, we long for broader compatibility

Outside of the D3S’s ridiculous low-light performance, Samsung’s i-Function lenses just might be the best thing to happen to digital photography in the past five years. Sure, some of you are probably spitting out your morning Cup of Joe at the thought, but it’s one of those things that you truly have to use to appreciate. For those out of the loop, have a peek back at our NX100 preview, and once you’re sold, feast your eyes on five new ones in the 2011 NX Series stable. The new range is comprised of Samsung’s 18-200mm multi-purpose Long Zoom Lens, a light, compact 16mm F2.4 ultra-wide pancake lens, a 60mm macro, 85mm F1.4 CSC lens (for those low-light shoots needing plenty of bokeh) and a 16-80mm standard zoom. Hit the source link for all of the specifics, but don’t go hunting for prices or release dates — those are still hidden in the background, regrettably.

Continue reading Samsung launches five more i-Function NX Series lenses, we long for broader compatibility

Samsung launches five more i-Function NX Series lenses, we long for broader compatibility originally appeared on Engadget on Tue, 22 Feb 2011 22:43:00 EDT. Please see our terms for use of feeds.

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Swann DVR4-2600 kit is 4 cameras and 500GB worth of remotely-accessible home security overkill

Swann DVR4-2600 kit is four cameras worth of remotely-accessible home security overkill

We’ve seen IP cams before, inexpensive ones like the DCS-930L from D-Link that get the job done with no frills, rather fancier ones like the Logitech Alert system that offer a premium feel — at a premium cost. But nothing quite like this. It’s the Swann DVR4-2600, a system that comes with four separate cameras, each offering a “high resolution” VGA that are about 10 years past a time when VGA could reasonably be called “high resolution.” They do, at least, offer 65 feet worth of night vision and all-weather functionality. There’s also a 500GB DVR included that can be connected directly to a TV or accessed remotely from a plethora of mobile apps covering everything from Android and iOS to Windows Mobile 6 and Symbian. You can get e-mails whenever your prisoners guests move and, the pièce de résistance, the kit includes four theft deterrent stickers. If those don’t keep the crooks away, maybe the rottweiler* will. Full details in the PR below.

*Rottweiler not included.

Continue reading Swann DVR4-2600 kit is 4 cameras and 500GB worth of remotely-accessible home security overkill

Swann DVR4-2600 kit is 4 cameras and 500GB worth of remotely-accessible home security overkill originally appeared on Engadget on Thu, 17 Feb 2011 10:30:00 EDT. Please see our terms for use of feeds.

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Windows Phone 7 camera settings keep going to default, Microsoft says it was ‘a decision by the team’

“It’s not a bug, it’s a feature” is one of the time-honored mantras of computer engineering, and Microsoft is using it to full effect with a behavior occasionally cursed by users of Windows Phone 7 devices: the camera settings return to their defaults every time you load the camera app. Responding to a comment in the official Windows Phone Blog, a Microsoft rep says that the settings reset was actually “a decision by the team,” noting that if you need to pull out your phone for a quick shot, you’d rather not have to fiddle with whatever wacky settings you had set up on the prior use. Continuing, he writes that “feedback from folks like [the commenter] has the team seriously looking at that option to see if there is a more optimal option,” so it could change — so your dream of shooting absolutely everything in sepia tone might be realized with a little less strife down the road.

Windows Phone 7 camera settings keep going to default, Microsoft says it was ‘a decision by the team’ originally appeared on Engadget on Wed, 16 Feb 2011 16:37:00 EDT. Please see our terms for use of feeds.

Permalink WMPoweruser.com  |  sourceWindows Phone Blog  | Email this | Comments

Leica M9 Titanium unboxed, handled with all the care a $32,000 camera deserves (video)

Even in its “standard” magnesium alloy body, the Leica M9 is an exclusive piece of kit that prices out all but the most fervent and deep-pocketed rangefinder lovers. Nonetheless, Leica has a habit of putting together even more limited editions of its shooters, one of which has recently been subjected to a thorough unboxing and video overview. Only 500 special edition Titanium M9s cameras have been produced, each one individually numbered and costing nearly £20,000 (or about $32,000) in a set with a Summilux-M 35mm F1.4 lens, also made from titanium. With a full frame 18 megapixel CCD sensor and dual image processors inside, it’s a fully fleshed-out beast of a portable shooter, but you’d probably expect nothing less given the fact it costs more than most cars. Go past the break to ogle this special M9.

[Thanks, Aaron]

Continue reading Leica M9 Titanium unboxed, handled with all the care a $32,000 camera deserves (video)

Leica M9 Titanium unboxed, handled with all the care a $32,000 camera deserves (video) originally appeared on Engadget on Sun, 13 Feb 2011 23:58:00 EDT. Please see our terms for use of feeds.

Permalink PetaPixel, Steve Huff Photo  |  sourceLYPTR (YouTube)  | Email this | Comments