Sony A77 With Fancy Transparent-Mirror Tech

Like a quantum mongrel, Sony’s A77 is neither mirror-equipped or mirrorless. Photo Sony PR

Yet another new camera announcement for today. This time it’s Sony’s SLT-A77, the SLR equivalent of the also-new-today NEX7 mirrorless compact.

The A77 has two very cool new features. First is Sony’s new translucent mirror tech. This uses a pellicle mirror instead of the usual silvered glass panel, letting the light pass through to the sensor, whilst still allowing some (in an SLR) to be reflected up to the viewfinder. This allows very fast shooting, as the mirror isn’t constantly slapping up and down like a stupid dog’s tongue on a hot day.

But the A77 doesn’t have an optical viewfinder. In this case, the mirror is used to siphon off some light to the phase-detection AF system, which lets it focus as fast as an SLR, and yet still manage a live-view. And what a live view. This one comes courtesy of the 2.4 million-dot ‘finder also, erm, found in the NEX7.

The lack of a mirror also speeds things up. The A77 can shoot its huge 24MP images at an almost absurd 12fps.

You also get a maximum ISO of 16,000 (it’s the same sensor found in the NEX7), 1080p video, a 921,000-dot LCD and a mess of in-camera special FX.

How much does Sony want for this beast? Body only, you’ll pay around $1,400. Available October.

A77 press release [Sony]

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Sony NEX7: 24 Megapixels, 2.4 Million-Dot Viewfinder

Apart from the crazy pixel count, the NEX7 is hot, hot, hot

Oh, Sony, what are you doing? Didn’t you get the memo that the megapixel race is over? What? We should have sent it on a MemoryStick? Whatever.

The NEX-series of camera is Sony’s equivalent of Micro Four Thirds — large sensor (in this case APS-C sized) in tiny, mirrorless bodies. The previous top of the heap was the NEX5, with a sensible 14.2MP allowing the pixels some space to breathe.

But after such a smart move, Sony is up to its old tricks, and has squeezed a ridiculous 24.3MP onto that sensor, making it much more crowded. It still manages to go up to ISO 16,000, though.

Other than this, the camera sounds amazing. Despite such a diminutive body, it manages to pack in a hotshoe, a pop-up flash and a pair of nice chunky command dials onto the top plate, and still finds room for a 2.4 million dot OLED electronic viewfinder. This is the highest resolution finder ever in a compact. To put that number into perspective, the average hi-res LCD has “just” 900,000 dots. This more than doubles that, and shrinks them down to viewfinder size. Clearly Sony is getting very good at putting lots of pixels onto tiny chips.

The NEX7 also has a flip-out rear screen, shoots 1080p video and can be easily lost down the back of the couch.

Finally, there’s rather excellent news for anyone who hates shutter lag. Sony has put in an electronic “first curtain” shutter. Normally on a live-view camera, the shutter needs to be closed before it can fire and take the picture. No longer. Sony says that this cuts the shutter lag from 100ms to a startlingly good 20ms.

This doesn’t come cheap, though. The body will be $1,200 on its own, and if you opt for the 18-55mm lens, you can have both for $1,400. Available November.

NEX7 press release [Sony]

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Nikon’s First Ruggedized Compact With GPS, Maps

The rugged AW100 welcomes your abuse, master

Today is shaping up to be a big day for new camera announcements. First we had the new P7100 from Nikon, and next up will be some news from Sony. Now, though, we look at Nikon’s first ruggedized point-and-shoot, the Coolpix AW100.

As you’d expect of a rugged camera, it can be used underwater (to 33 feet), survive drops from five feet and keep working down to a chilly 14˚F (-10˚C). It also comes in a hard-to-lose orange (as well as black and boring blue), and weighs in at just 6.3 ounces (179 grams).

But that’s just the entry fee to this game, and Nikon ups the ante with some very smart outdoorsy extras. First is GPS, which not only geotags your images but tracks you as you trek. There’s also a digital compass which can be displayed on the rear screen, and built-in maps.

Also very clever is the shaky-cam feature (a name I just made up). You can assign one of several functions to be switched when you shake the camera, letting you keep your gloves on.

As to the camera functions, the sensor is 16MP, the LCD three inches, the top ISO is 3200, the 5x zoom goes from 28-140mm (35mm equivalent) and the movies are 1080p (with a slo-mo option up to 240fps).

In short, it has pretty much everything you need, and is tough enough to come with you. The AW100 will cost $380 when it goes on sale in September.

Nikon Coolpix AW100 product page [Nikon. thanks, Geoff!]

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Nikon P7100 Faster And Friendlier Than Its Predecessor

It might look the same as the P7000, but the new P7100 actually works properly

Nikon’s new Coolpix P7100 is an update to, you guessed it, the P7100. It’s not a big update, feature-wise, but the bits that Nikon has added are essential. If the P7000 was Nikon’s beta attempt to copy the Canon G-series cameras, the P7100 is the proper v1.0

The P7000 was known as slow and buggy. Poor response times and oddly behaving menus were the problems, and Nikon says it has fixed them. Here’s the sentence from Nikon PR “Enhanced high speed performance, quick response, a new user interface and HD movie recording.”

New: A flip-out LCD

The other main differences are the pop-out, rotating LCD on the back (still the same 921,000-dot model as before, only you can now move it) and a new command dial on the front, which will be good news for anyone who is used to a Nikon SLR.

Otherwise, things remain much the same. The same 10.1 MP sensor, the same maximum video resolution of 720p, and the same optical viewfinder. But these features were always good, so we’re glad Nikon let them be.

The P7100 will ship in September, for $500.

Coolpix P7100 product page [Nikon. Thanks, Geoff!]

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Sony Alpha A77 hands-on preview (video)


When it comes to cameras, digital SLRs are a breed all their own. Many DSLR owners don’t upgrade their bodies often — if at all — and even fewer would consider a switch to a competing camera system, especially after investing in a handful of high-end lenses. Manufacturers need to push innovation even further to target this segment of the market — when some cameras cost thousands of dollars and already offer excellent performance, simply releasing a body with more megapixels and HD shooting options won’t prompt photographers to pull out their credit cards. With its massive 24.3 megapixel sensor and high-res OLED electronic viewfinder, however, Sony’s $1,399 Alpha A77 may just be the DSLR upgrade you’ve been waiting for. We spent a few days with a pre-production A77 paired with Sony’s brand new 16-50mm f/2.8 lens ($1,999 in an A77 kit), and were very impressed with what will undoubtedly be a worthy successor to the well-received A700. Jump past the break for our initial impressions, along with plenty of still photo and HD video samples.

Continue reading Sony Alpha A77 hands-on preview (video)

Sony Alpha A77 hands-on preview (video) originally appeared on Engadget on Wed, 24 Aug 2011 01:00:00 EDT. Please see our terms for use of feeds.

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31 Shadow People Caught on Camera

Shadows. They’re our dark doppelgängers tracking our every step. They’re also excellent subjects for your photographs from last week’s Shooting Challenge. More »

Rumored Fujifilm X50, A Half-Price X100

Fujifilm’s X100 might soon be joined by a little brother. Photo Fujifilm

Fujifilm is planning on making a cut-down version of its hot retro-style X100 to go up against cameras like the Panasonic LX5 and the Canon G12. Rumors spilling out from a couple of different sources say that the new camera, to be called the X10, will be almost exactly the same as the X100, only with a smaller sensor.

The X100, to recap, is a fixed lens camera with an all-metal body, a big APS-C sensor and a fancy hybrid optical/electronic viewfinder. The smaller (but still chunky) X10 would have a smaller sensor, a 4x zoom, similar retro styling and a price half that of its big brother, at $600.

Given that the point of the X100 (apart from the big sensor), is the all-manual knobs and dials and that viewfinder, we’d hope that these features make it into the rumored X10. Otherwise, why wouldn’t you just buy an LX5?

The rumors say that the camera should arrive in the next few weeks, so we don’t have long to wait to see if they’re true. Fingers crossed, though. I’m not spending $1,200 on a fixed-lens camera, but I might be tempted by a $600 one if it has that super-cool viewfinder.

Fujifilm X10 in the next few weeks [Photo Rumors]

Ganan terreno los rumores sobre la Fujifilm X10 [Quesabesde]

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Kodak: Film Canisters Are Fine for Food Storage

A (non-Kodak) film canister. Photo Brian Turner / Flickr

If you have a hankering to take a teeny tiny packed lunch along with you, and you happen to have some old film canisters around the house, then Kodak has good news. While the plastic tubs aren’t FDA approved for food, Kodak reckons that they’re safe enough, despite not going so far as to actually recommend the practice.

After having made roughly 10 gazillion of the handy little pots over the years, Kodak knows a thing or two about them. The bodies of these canisters are made from high density polyethylene (HDPE), used in kitchen utensils amongst other things, and the lids are LDPE (guess what that stands for), which is also commonplace.

So, while kids might choke on the lids, human adults should be fine if they choose to store and carry food inside the watertight containers. There are no toxic or chemical residues from the film that was once therein, and the containers are “exceptionally clean” upon manufacture.

Which leaves us with one problem. What to put in there? Flakey Maldon salt is one idea, and a lollipop might fit in if you cut off its neck. You could even store a few cherry tomatoes inside for an impromptu (and minuscule) salad. After that, though, I’m stumped. Film-canister picnic ideas in the comments, please.

35mm Film Containers [Kodak via PetaPixel]

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A picture of things that take pictures

image

A sample of the obsessive compulsive style of art that adorns Satchels Pizza. Hands down some of the best pizza I’ve ever had, aside from the incredible atmosphere.

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Sony DEV5 Looks Like Luke Skywalker’s Binoculars

I’m watching you…

I’m watching you…

[/caption]

Now you too can track down Sand People and hunt the horizon for lonely, brown-robed old Jedis with Sony’s new NEX binoculars. The binos, named DEV3 and DEV5, pack a CMOS sensor, two lenses and two electronic eyepieces instead of the usual light-folding optical prism design. Because of this all-electronic pipeline, you can also snap stills, along with 2-D and 3-D video.

Both models have constant AF to follow the subject, and both have image stabilization, while the DEV5 has GPS to geotag your photos and videos.

When it comes to zooming, things get a little confusing. Both have optical zooms of 10x, and while the DEV3 stops there, the DEV5 will add in a digital zoom to boost the max to 20x. If you want to record 3-D, then the maximum magnification drops to 5.4x.

These are specialist tools to be sure, and the prices reflect this. The binoculars will go on sale in November, at $1,400 and $2,000 for the DEV3 and DEV5 respectively, so you might seriously consider separate cameras and binoculars. And if you go for manual binoculars, you won;t have to deal with the three0hour battery life while recording.

Sony DEV3 and DEV5 Binoculars Capture Stills and HD Video [Press release / Photography Bay]