Lensbaby Gets Fisheye and Soft Core Optics

lensbabies

Did you know that your Lensbaby Composer has a removable optic inside? Using the right tool you can extract this glassy core and swap in one of Lensbaby’s new Fisheye or Soft Focus optics.

The Lensbaby Composer itself is a twist’n’shoot lens which bends to place the point of focus anywhere in the frame. It’s great fun to use, and can give some odd and unexpected effects to your photos. These new optics slot into that same case and distort the images even more.

The fisheye gives a fully round view, with the bending of straight lines you expect from a fisheye. With a full-frame camera, you actually see the circle. Crop frame sensors will get a little vignetting at the edges and Micro 4/3 bodies will not see the circle at all, but do get the bendy lines.

The soft focus unit slots in and gives even blur across the image. From the example pictures, it looks like the picture is still in focus but jut, well, softer. Imagine the old Hollywood vaseline-on-the-lens trick and you’ll be close.

Both optics have interchangeable aperture disks, and both can still be used with the tilting mechanism of the Lensbaby, although in the case of the fisheye you end up just blacking out a lot of the frame. The softy is $90, and the rather satisfyingly hefty fisheye is $150. Both turned up here at Gadget Lab España yesterday, and will be thoroughly tested over the next week (including shooting video on a Micro 4/3 body).

Fisheye [Lensbaby]

Soft Focus [Lensbaby]


New Nikon Coolpix Range Has Something for Everyone

p100_front

The pre-PMA announcements are hotting up, and Nikon has just released the details of its 2010 Coolpix lineup. Like most of the manufacturers compact camera ranges, this one offers a veritable confusion of models, so we’ll just hit the highlights here. Don’t worry: there are some genuine goodies here. The Olympus and Fuji ranges, already announced, were so ho-hum we tore up the press releases already.

The first of the two standout models is the P100, a chunky, bridge-style camera which has Nikon’s new back-illuminated CMOS image sensor. This confusingly-named chips aren’t backlit like a computer screen. Instead, the internal wiring is moved behind the actual sensors, and the sensors now sit directly behind the micro-lenses and color filters. This ups the sensitivity significantly (in the range of +6db) and decreases noise. This means better pictures in low-light — now a Nikon hallmark. As a result, the P100 can shoot at up to ISO 3200 with its 10.3MP sensor.

The P100 also has a 26x optical zoom with a respectable ƒ2.8 maximum aperture (shrinking to ƒ5.0 at the outer zoom limit) and shoots 1080p video. It will cost $400 and go on sale in March.

s8000

Second is the sleek S8000, a small compact with a huge, 3-inch, 921,000 dot screen. This is the same size and resolution found on Nikon’s high-end DSLRs. The 14.2MP sensor also shoots at ISO 3200 and also records 720p video. The S8000 will cost $300, and be here later this month.

Coolpix P100 [Nikon]

Coolpix S8000 [Nikon]


New Olympus Pen Adds Flash, Loses Good Looks

779961922_ihpiq-m

Olympus has taken the lovely, popular and slightly flawed Pen EP-1 camera, tweaked it to to be more like Panasonic’s equally nice GF1, and in the process created a Frankenstein’s camera, a bloated monster that bears the same relationship to the EP-1 as Marlon Brando’s Colonel Kurtz bore to his Stanley Kowalski.

So, what’s new? The Pen E-PL1 is still an interchangeable lens, Micro Four Thirds (M4/3) camera, but it gains a pop-up flash and a direct video-record button (this button, found on the Panasonic GF1, is wonderfully useful for quick clip shooting). As mentioned, the body loses its sleek, muscular good looks and also the two innovative thumb dials, replaced by one top-plate dial and a whole lot of buttons. If you are looking for an easy to control manual camera, this isn’t it — stick with the EP2 or the GF1.

The new Pen has some nice features not found in the Panasonic. First, in-body image stabilization, which works whatever lens you put on the front. Second, you can hook up a microphone to supplement to built-in mono mic (both the EPx cameras have stereo mics, the Panny mono with no aux input).

There is also a range of Live Guides, which let you tweak color and other parameters and see the results live on-screen before you shoot. And one of the coolest features is that you can pair the camera with Olympus flashes and control them remotely. That’s a pretty high-end DSLR feature right there.

All this comes in a $600 package, bundled with a Zuiko 14-42mm f3.5/5.6, available in March. If you’re looking to step up from a high-end compact, but don’t need the price or the great manual handling of the EP-2 or GF1, this is a rather sweet-featured camera. If you squint, and don’t look too hard at its ugly lines.

Introducing the Incredible Olympus Pen E-PL1 Camera [Olympus]


Apple’s iPad Thinks It Has a Camera

screen-shot-2010-01-27-at-january-27-23546-pm-620x434

Apple’s new tablet doesn’t include a camera, but the screenshot above reveals a “Take Photo” button in the iPad’s Contacts app.

Is it a hint that Apple is planning to release a camera-equipped iPad later? Or just a messy accidental result of sharing code between the iPhone Contacts app and the iPad’s? As much as we believe the former will happen eventually, the latter is more likely to be the case.

We can’t draw any conclusions from that since there are too many theories, but the screenshot is interesting nonetheless. The latest iPod Touch doesn’t include a camera, and Steve Jobs said that was because the gadget’s focus is gaming. However, iFixit’s teardown of the new iPod Touch found a small compartment that would be perfect for a camera. A rumor report also suggested the iPod Touch was supposed to have a camera but left it out due to technical problems.

Kudos to CrunchGear for spotting this.

See Also:


A Closer Look at Haiti Quake Survivor’s Use of Tech

woolley Dan Woolley was all over the news last week as the tech geek who survived the Haiti earthquake with the help of a first-aid iPhone app, his digital SLR and, of course, a lot of luck.

The religious man credits his survival to God and all those praying for him. But in an interview with Wired.com, he reveals that he was even more technologically resourceful than initial reports suggested.

After the quake struck, burying the Hotel Montana in rubble, Woolley, a web programmer, came up with some clever techy ideas. In addition to consulting the iPhone app First Aid & CPR for advice on treating cuts, Woolley used his digital SLR’s focusing light to help illuminate his surroundings. He snapped photos of the wreckage, using the flash to help him search for refuge. His viewfinder revealed a crumbled elevator shaft, where he prayed, rested and bandaged his wounds. Then, Woolley set his alarm to go off every 20 minutes to stay awake, fearing that if he fell asleep, he could go into shock. A French rescue team dug him out of the shaft 65 hours later.

Help Haiti Recover

That was the gist of the story broadcast news outlets reported last week on Woolley, but there’s more.

While waiting for rescue, Woolley recorded voice memos for his family with his iPhone. And when he was feeling discouraged, he used the iPod app to listen to music.

How did his iPhone battery last an amazing 65 hours? Woolley had a Mophie “Juice Pack” battery extender that he plugged into his iPhone, giving it several hours more juice. He also stopped using the alarm after feeling reassured that he wouldn’t go into shock.

When the battery meter sank to 20 percent, Woolley shut off the iPhone to save the power. Before he did, he had stored some text messages calling for help, figuring he would have them ready to send in case he could get a miraculous cell connection.

“It really was an incredible tool in my pocket, and I was really glad to have it,” Woolley told Wired.com on the phone.

dan woolley
Woolley clarified that he was using the app not to learn to treat his cuts, but rather to ensure he was doing it properly.

“I don’t know if I would’ve necessarily done things differently if I didn’t have [the iPhone app],” Woolley admitted. “At a point of great inner turmoil it was great to have something that was definitive. It’s not like I read it and I learned and said, oh really I should tie the wound? It’s more like OK, this is what I do. All right, I’m doing the right thing.”

Woolley added that many on the web criticized him for not having a first-aid kit with him. He said critics were missing a major point about the importance of the iPhone, and other similar app-powered smartphones, such as Google’s Nexus One, being a general-purpose tool that you carry with you everywhere.

“For people who pointed out I should’ve had a pocket first aid kit, the reason they’re wrong is I wouldn’t have it in my pocket,” he said. “How many people have gone out of their way to add one more thing to their pocket? What was valuable about the iPhone is it was already in my pocket. And I thought, it would probably be a good way to have some first aid tips in here, so I downloaded that app. That’s the value of this utility.”

Woolley was one of reportedly 23 survivors rescued from the rubble that buried Hotel Montana in Port-au-Prince, Haiti after the massive earthquake. He was shooting a video about poverty-stricken children in Haiti with his friend David Hames, a filmmaker, when the quake struck. Hames was not found.

“My iPhone did not save me, God and the prayers of tens of thousands of His people did,” Woolley said.

See Also:

Photo courtesy of Dan Woolley


Panasonic Digicam Adds GPS, Manual Control and Landmark Recognition

panny-cam

Panasonic has added manual control and GPS to its popular Leica-lensed Lumix ZS3, and bumped the name and number up to ZS7.

The compact camera is a replacement for the top-of-the-range ZS3, and improves on it in almost every way, the biggest boost being in speed. For instance the new ZS7 has a tiny shutter lag of 0.006 second (that this figure is even included in a press release for a point and shoot is unusual), and faster focussing. This is very likely to be a trickle-down from the tech in the super quick GF1.

The 12x optical zoom is joined by “Intelligent Zoom”, which promises to add an extra 1.3x digital zoom without making the picture soft and awful (pro-tip: don’t bother. If you need a few more feet of zoom, do it back at the computer). You also get Panasonic’s large, clear 460,000 dot 3-inch LCD and AVCHD Lite video which captures 720p, and a stereo microphone.

While manual controls are very welcome, they are often awkward without dedicated switches and dials. The GPS, on the other hand, has some cool extras. Apart from stamping the location into the photos’ EXIF metadata, and auto-setting the camera’s clock, the ZS7 also carries a database of landmarks and their positions. If you are snapping, say, the Empire State Building (or one of half a million other spots), its name will be displayed on screen and tagged to the photo. Very slick indeed.

Panny hasn’t set a price yet, but as a guide, its predecessor sold for $250-$350, depending on where you bought it.

Product page [Panasonic]


Pentax Hides Bland New Retro Digicams in Groovy Getup

pentax-optio-i-10

Pentax has announced the three new compact cameras that were hinted at yesterday, in all their retro-tastic glory. As expected, the I-10 (above) looks like a tiny 1960s SLR (reader msatlas pointed out on yesterday’s post that it looks like the Pentax 110 SLRs from decades past), and the H90 caomes in a rather fetching orange’n’silver color scheme. Finally, Pentax snuck in the excruciatingly dull E90, a $100, 10MP camera which only a very bored mother could love (bottom).

pentax-optio-h90

The $300 I-10 comes in black or white and with “classy” leatherette cladding. The lens has a 5x zoom, the sensor 12.1 MP, a 2.7-inch LCD and 720p video capture. The most exciting feature, though, apart from the horrible styling and lack of a viewfinder (despite the lump on the top of the body) is the face detection mode. Pentax has tweaked the design to recognize dogs and cats. Now you know what to buy your crazy, tie-dye clad neighbor for her birthday.

By contrast, the H90 has hard, modern lines — if by modern you mean “1970s robotic scallop”. Again with the 5x zoom, 12.1MP sensor, 2.7-inch and 720p video: it seems almost as if these cameras were only differentiated by case design. And price: the H90 is just $180.

Lastly, a surprise. The cheap-o, fugly E90 shoots at ISO6400 (with likely quite noisy results) and takes a pair of AA batteries. It could make a great, semi-disposable travel-cam.

Pentax product page [Pentax via Photography Bay]


wwwpentaximaging


Flash Flood: ThinkTank Rain Cover For Hydrophobic Shutterbugs

hydrophobia-flash-70200-1-2

Hydrophobia is the irrational fear of water. It might also be tweaked to mean the very rational fear of taking a few grand’s worth of camera gear out into the driving rain to shoot. ThinkTank feels your irrational fear and has an answer: the Hydrophobia 70-200 Rain Cover.

You’ll still have to take care of yourself, but your human skin is pretty waterproof already (if it weren’t, you’d be a pool on the floor right now). But when you are out in a miserable downpour (aka. English weather) the Hydrophobia lets you snap with your camera, lens, and even your strobe snug and dry inside the bag.

The Hydrophobia zips onto your pro-sized DSLR and lens (up to 70-200mm, hence the name) and has a pair of side mittens for your hands to reach in and operate the controls. The existing camera strap can be stowed out of the way with an interior loop, and a built-in strap fastens around the barrel of the lens for support. Everything else is covered in either clear plastic (rear panel) or black plastic.

The only parts left open are the front lens element (there is a flap to keep the rain out when not shooting) and the viewfinder, the eyepiece for which you’ll need to buy for another $35. And if you’re shooting with flash, the all-transparent tower will let the light out.

The Hydrophobia 70-200 costs $139 or $145 depending on whether you need flash or not, plus the cost of the eyepiece. That’s not cheap, but it’s certainly less than a new camera.

Hydrophobia Flash 70-200 [ThinkTank. Thanks, Brian!]


Panasonic churns out DMC-FX66, DMC-TS2, DMC-ZS5, DMC-ZS7 and DMC-ZR3 Lumix compacts

Panasonic‘s just announced quite a handful of Lumix compact cameras, featuring both the new Venus Engine VI and Venus Engine HD II that claim to perform quicker with better noise reduction. What’s more exciting is that these are all compatible with the forthcoming SDXC cards too, but check out their “Happy Mode” — it makes photos “more vivid and true to the color of the scene you memorized.” Yeah, as if we’d want photos that are more, um, real. Anyway, let’s break it down here (clockwise from top left; non-US model numbers in brackets):
  • DMC-FX66: This one’s a 14.1 megapixel slim camera with an F2.8-5.9 25-125mm (5x zoom) ultra-wide-angle lens (with Power O.I.S lens-shift stabilization). The 720p video capture and 1.06 second start-up time are sweet too, but no AVCHD Lite here. On the back there’s a 2.7-inch 230k-dot screen with wide viewing angle. All this is just 5.11 ounces including battery.
  • DMC-TS2 (FT2): This camera has a lot in common with the FX66 above — same sensor, same image stabilization, same scene modes (but with three extra), same focus modes and same screen. The main differences are its AVCHD Lite 720p video format, F3.3-5.9 28-128mm (4.6x) lens and added ruggedness — waterproof to 10m, shockproof to 2m, freezeproof to 14 degrees Fahrenheit and dustproof. It’s of course slightly heavier too — 6.63 ounces including battery.
  • DMC-ZS5 (TZ8) and DMC-ZS7 (TZ10): These two appear to be twins, except the former has a smaller screen (2.7-inch with 230k dots instead of 3-inch with 460k dots) and lacks GPS, AVCHD Lite and mini-HDMI port. Both do 12.1 megapixel pictures and 720p videos, have F3.3-4.9 25-300mm (12x) lens with lens-shift stabilization, and have identical scene and focus modes. With battery these weigh 7.55 ounces and 7.69 ounces respectively.
  • DMC-ZR3 (ZX3): Whoa! Another 14.1 megapixel camera which does AVCHD Lite. The specs are almost identical to the TS2 except for the lens (F3.3-5.9 25-200mm 8x ultra-wide-angle) and lack of ruggedness. It weighs 5.61 ounces with battery.

Phew! No prices or availability announced yet, so take your time with picking out your favorite.

Panasonic churns out DMC-FX66, DMC-TS2, DMC-ZS5, DMC-ZS7 and DMC-ZR3 Lumix compacts originally appeared on Engadget on Tue, 26 Jan 2010 05:31:00 EST. Please see our terms for use of feeds.

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117 Beautifully Blurry Photos

Motion blur! It doesn’t just ruin photos. It’s also something that can be used for artistic effect, when done properly. And for the results of this week’s Shooting Challenge, we’ve got 117 photographers who did just that.

First Runner Up


This is my favorite Korg, and I thought this would be pretty cool to capture “In motion!”
I used a Canon Rebel T1I
f/25
20 Second Exposure
18-55mm Lens (shot at 27mm)
ISO 100
Developed in Lightroom2
And my lighting was a small fluorescent tube light, the size you would put in a closet and such… -Marcel Maynard

Second Runner Up


Camera:Canon EOS REBEL T1i
Lens: 18-55m F/3.5
Exposure:3.2
Aperture:f/22.0
Focal Length:28 mm
ISO Speed:100
Exposure Bias:-1/3 EV
-Shant Meguerdichian

Winner


Camera: Canon S90
Shutter Speed: 0.81 sec
Aperture: F/8
Focal Length 6mm
ISO: 80
Exposure Compensation: -0.7 step
-David McGibbon