Jan 07
Lady Gaga’s weirdo Polaroid glasses are about to turn our faces into Facebook feeds and mood rings. More »
Jan 07
Money Shot: The Lady’s Polaroid Glasses Look Gaga [Video]
Posted in: camera, OLED, Today's Chili, top
The Polarez GL20: image capture device, display, loud fashion statement. It’s weird. It’s wonderful. It may or may not be the camera of the future. One thing is for sure: You want to see it! It’s OK to stare. More »
Jan 06
The Polaroid Camera, Rethought and Digitized [Cameras]
Posted in: camera, printer, Today's Chili, top
This solidly designed Polaroid GL30 beauty is a modern take on the old-school Polaroid camera you may own and love. It’s digital, has an adjustable display, and will spit out your photos in seconds. And did I mention it’s freakin’ gorgeous? More »
Jan 06
I was blogging from the Polaroid booth in the Central Hall of the Las Vegas convention center for a while today, because the company was so kind as to provide us tired bloggers with a few couches to sit on. I was seated next to two women who were shooting showgoers with the new Polaroid 300. Everyone seemed genuinely baffled at the notion that the camera they were holding wasn’t digital.
Film cameras in this day and age? Yep. The Polaroid is an honest-to-goodness throwback to the instant film cameras that helped the company capture the imagination of the public. The camera takes shots roughly the size of business cards. Once taken, it takes about a moment for them to develop.
The 300 has four image settings and an automatic flash. You can pick one up now for about $90–not bad, but as always, the film is where they get you. It’s about $10 for a back of 10 images.
Jan 06
The iPhone 4 has a good video camera, sure, but perhaps this is overkill? Camtrol designed this the Prime free shooting rig for digital cameras and camera phones. The above shot has an iPhone 4 clamped in.
You can get some great free hand shots with the thing–its surprisingly light (you can definitely hold it with one hand). It also serves as a handy tripod. The rig will run you around $300, but you’ll be the envy of all of those losers who have to hold their camera phones in their hands. Suckers.
Jan 05
Panasonic intros Lumix DMC-S3, DMC-S1, DMC-FH25 and DMC-FH27 compact cameras
Posted in: breaking news, BreakingNews, camera, digicam, digital camera, DigitalCamera, lumix, Panasonic, point and shoot, PointAndShoot, Today's Chili
More Lumix goodness? You betcha. Hot on the heels of Panasonic’s CES unveiling of the FP5, FP7, FH5 and FH2 ultraslim compact camera comes this: even more Lumix compacts. Per usual, we’ll tell you exactly what you need to know below, and those hungry for more can peek the full releases after the break.
- Up first we have two new folks joining the S series: the DMC-S3 and DMC-S1. Both of these are designed for up-and-comers looking for ease of use, with the S3 having a 14.1 megapixel sensor and the S1 dipping to a 12.1 megapixel sensor. Both of ’em tout a 720p movie mode, refreshed designs and a 4x optical zoom lens. Panny admits that they’re both “entry-level,” though you’ll still find optical image stabilization, face detection, an intelligent scene selector and the Venus Engine VI image processor. There’s a 2.7-inch LCD on the rear of each unit, and while the S3 will ship in blue, red, black and violet, the S1 will arrive in black, gold, blue, pink and silver. Mum’s the word on a price and release date, sadly.
- The DMC-FH27 and DMC-FH25 point-and-shoots are both aimed at the fashionistas in the crowd, with the pair touting a 16.1 megapixel sensor, 8x optical zoom lens and a 720p movie mode. There’s also an advanced Intelligent Auto mode for those who detest fiddling with settings, and the Venus Engine VI image processor promises to speed up just about everything dealing with operation. Face detection, optical image stabilization and an intelligent scene selector are all present, though the FH27’s 3-inch rear LCD one-ups the 2.7-inch panel that’s on the FH25. Per usual, Panny’s keeping its trap shut when it comes to a price and release date.
Continue reading Panasonic intros Lumix DMC-S3, DMC-S1, DMC-FH25 and DMC-FH27 compact cameras
Panasonic intros Lumix DMC-S3, DMC-S1, DMC-FH25 and DMC-FH27 compact cameras originally appeared on Engadget on Wed, 05 Jan 2011 18:30:00 EDT. Please see our terms for use of feeds.
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Jan 05
Panasonic debuts Lumix FP5, FP7, FH5 and FH2 ultraslim compact cameras
Posted in: breaking news, BreakingNews, camera, digicam, digital camera, DigitalCamera, lumix, Panasonic, Today's Chili
It ain’t Photokina, and it ain’t PMA, but darn if the cameras aren’t rolling out left and right here at the 2011 edition of CES. This evening, it’s Panasonic’s turn, and we’ve got four new Lumix point-and-shoots to discuss in more detail below:
- For starters, we’ve got a pair of newcomers to the Lumix FH series, the FH5 and FH2. Both of these are sporting sleek, svelte exteriors, with the DMC-FH5 nabbing a 16 megapixel sensor and the DMC-FH2 stepping down to 14 megapixels. Both of ’em feature a newly-developed retractable 28mm wide-angle lens, a 4x optical zoom and a 720p movie mode. You’ll also find a newly-incorporated Venue Engine VI, which hastens startup and overall reaction times. Mega optical image stabilization, face detection and an intelligent scene selector are all included, as is the Lumix Image Uploader to get your shots up onto the web, STAT. Pricing on this duo is expected at a later date, though we are told that the FH5 will ship in silver, violet, black and gold, while the FH2 dons black, red, pink and blue outfits.
- Looking for something with a bit more pizazz? The ultrathin FP series is growing by two today as well, with the 16.1 megapixel DMC-FP7 and 14.1 megapixel DMC-FP5 offering up a sexy exterior, 4x optical zoom and a 720p movie mode. The FP7 goes with a mirror-like finish, while the FP5 sticks with matte. The FP7 (shown above) also has a nicer-than-average rear, with a 3.5-inch LCD; the FP5 steps it down ever-so-slightly to a 3.0-incher. Both models include Smart Touch Screens that enable shooters to tweak lots of settings within hitting a single physical button, and the FP7 goes one step further by offering one-touch re-touching. The duo also incorporates Panny’s Venus Engine VI, mega optical image stabilization, face detection, an intelligent scene selector and a dedicated iA button. Pricing remains a mystery for these as well, but you can decide between red, blue and black on the FP7 or black, pink, silver and blue on the FP5.
Continue reading Panasonic debuts Lumix FP5, FP7, FH5 and FH2 ultraslim compact cameras
Panasonic debuts Lumix FP5, FP7, FH5 and FH2 ultraslim compact cameras originally appeared on Engadget on Wed, 05 Jan 2011 18:30:00 EDT. Please see our terms for use of feeds.
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Jan 05
Samsung’s CES 2011 camera lineup: DualView ST700, PL170 and PL120 / WB210 and PL210
Posted in: breaking news, BreakingNews, camera, digicam, digital camera, DigitalCamera, point and shoot, PointAndShoot, samsung, Today's Chili
Samsung, taking it easy at CES? Not a chance. Hot on the heels of a smorgasbord of new HD gear comes a five-pack of new cameras. Three of ’em are situated in the company’s growing DualView line, which places a display on the front that makes self-portraits entirely easier to snap. The ST700 point-and-shoot includes a 16.1 megapixel sensor, 5x optical zoom, dual image stabilization, a 3-inch touchscreen on the rear, a 1.8-inch screen on the front, 720p movie mode, an ISO range that tops out at 3200 and a $279.99 retail price. The PL170 ($199.99) is also equipped with a 16.1 megapixel sensor and a 5x optical zoom, but the screen on the front is stepped down to 1.5-inches and the feature set is scaled back. The PL120 is the lowest-end of the new DualViews, with a downsized 2.7-inch rear LCD and a $149.99 price point.
In related news, the WB210 (shown above) and PL210 are also debuting today, with the former touting a 12x zoom lens, a 22.4mm thick body and a 14 megapixel sensor. The PL210 goes with a 10x optical zoom, 27mm wide-angle lens, a 3-inch rear LCD and a 14 megapixel sensor. These are slated to go on sale next month for $279.99 and $199.99 in order of mention, and the full releases are waiting for your eyes just after the break.
Continue reading Samsung’s CES 2011 camera lineup: DualView ST700, PL170 and PL120 / WB210 and PL210
Samsung’s CES 2011 camera lineup: DualView ST700, PL170 and PL120 / WB210 and PL210 originally appeared on Engadget on Wed, 05 Jan 2011 17:58:00 EDT. Please see our terms for use of feeds.
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Jan 04
Fujifilm brings 30x optical zoom to Finepix HS20EXR, 15x to F500EXR and F550EXR
Posted in: camera, digicam, digital camera, DigitalCamera, point and shoot, PointAndShoot, Today's Chili
Is 2011 the year of the superzoom? It’s doubtful, but darn if Fujifilm isn’t trying hard to make it so. Following up on the outfit’s CES 2011 unveiling of the Finepix XP30, XP20 and a slew of low-to-mid-range point and shoots comes this stash: a pocketful ‘tater sack full of nicely specced megazooms. Let’s break ’em down, cool?
- The Finepix HS20EXR (which leaked just a few hours ago) is easily the crown jewel of this bunch, boasting a 16 megapixel EXR-CMOS sensor, a 30x Fujinon manual optical zoom lens (24mm to 720mm equivilent), a tilting 3.0-inch LCD, a ‘heads-up’ sensor that automatically changes from LCD to EVF, 8fps continuous shooting, 1080p movie recording, the ability to shoot in RAW (or RAW + JPEG), an optional remote release cable and support for two Fujifilm external flashes. This bad boy will ship in late March for $499.95.
- Looking for megazoom range in a compact’s body? You’ve found it. The Finepix F500EXR and F550EXR both offer relatively sleek bodies, a new 16 megapixel EXR-CMOS sensor, a 15x Fujinon wide-angle zoom lens and a 3-inch LCD on the rear. You’ll also get high-speed shooting capabilities as well as a 1080p movie mode, with the 550EXR stepping up and adding both GPS geotagging and the ability to capture files in RAW. Both cameras measure 22.9mm thick, offer image stabilization and have an ISO range of up to 1600. Both of these shooters will hit in mid-March, with the 500EXR going for $329.95 and the 550EXR seeming like a pure-tee bargain at just $20 more.
- Bringing up the rear, it’s the new S series. The SLR-styled Finepix S2950, S3200 and S4000 superzooms boast a 14 megapixel sensor, with 18x, 24x and 30x Fujinon optical zoomers available in order of mention. You’ll also get dual image stabilization, a 3-inch LCD around back, an electronic viewfinder, 720p movie mode and the ability to power these with a pair of AA batteries. The S2950 will go on sale this month for $229.95, while the S3200 hits next month for $249.95 and the S4000 lands in March for $279.95.
Continue reading Fujifilm brings 30x optical zoom to Finepix HS20EXR, 15x to F500EXR and F550EXR
Fujifilm brings 30x optical zoom to Finepix HS20EXR, 15x to F500EXR and F550EXR originally appeared on Engadget on Wed, 05 Jan 2011 00:01:00 EDT. Please see our terms for use of feeds.
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Jan 04
Fujifilm’s CES 2011 point-and-shoot lineup: Finepix Z90, AV200, AX300, JV200, JX and T series
Posted in: camera, digicam, digital camera, DigitalCamera, point and shoot, PointAndShoot, Today's Chili
Fujifilm’s rugged Finepix XP30 just a bit too rough around the edges for you? If so, we’d recommend grabbing a cup of joe and diving into the outfit’s CES 2011 line of point-and-shoot cameras. The company’s holding nothing back with this year’s barrage of new shooters, so let’s get to it, shall we?
- The Finepix Z90 (shown above) is a sleek, svelte new compact with a three-inch resistive touchpanel, 14 megapixel CCD sensor, Fujinon 5x wide-angle optical zoom lens and automatic upload to both YouTube and Facebook. There’s also a new ‘Dual Direction GUI’ (which splits the rear screen in various ways to view multiple images at once) digital image stabilization, face detection / red-eye removal, a 720p movie mode and a chassis that’s just 17.5mm thick. It’ll go on sale in around a fortnight for $169.95.
- The Finepix AV200, AX300 and JV200 are aimed at the bargain consumer, with all three boasting a 720p movie mode, face detection and a relatively understated design. The AV200 and JV200 are outfitted witha 14 megapixel CCD sensor and a 3x optical zoom lens, while the AX300 steps up to a 5x optical zoomer. The trio packs a 2.7-inch rear LCD, digital image stabilization and automatic red-eye removal. The AV200 and AX300 get powered by a pair of AA batteries, whereas the JV200 is equipped with a rechargeable Li-ion. The whole lot will go on sale in the US next month, with pricing set at $89.95, $99.95 and $109.95 in order of mention.
- For those looking to step up a bit, there’s the new JX series. The JX300 and JX350 include 5x optical zoomers and a 720p movie mode, not to mention a 2.7-inch rear LCD, metal body and Li-ion rechargeable battery. The JX300 is blessed with a 14 megapicel CCD sensor , while the JX350 packs a 16 megapixel CCD sensor. Fuji plans to hawk the 300 in silver, whereas the 350 will be available in brushed metal or black. Other features include an easy YouTube / Facebook upload, smile / face detection and red-eye removal. The JX300 will go on sale next month for $129.95, with the JX350 coming in April for $159.95.
- Wrapping things up, we’ve got the T200 and T300, both of which are equipped with 10x Fujinon optical zoom lenses (28mm to 280mm) and a 720p movie mode. These check in at just 18.5mm thick and include sensor shift image stabilization and a 14 megapixel CCD sensor. The T300 ups the ante with a 3-inch high-res display, while the T200 gets saddled with a 3.7-inch display. We’re told that the T300 will be available in black, while the T200 gets wrapped in a gunmetal finish. The T300 will ship in April for $199.95, and the T200 will go on sale this March for $20 less.
Gallery: Fujifilm’s CES 2011 point-and-shoot lineup: Finepix Z90, AV200, AX300, JV200, JX and T series
Fujifilm’s CES 2011 point-and-shoot lineup: Finepix Z90, AV200, AX300, JV200, JX and T series originally appeared on Engadget on Wed, 05 Jan 2011 00:01:00 EDT. Please see our terms for use of feeds.
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