Panasonic’s Lumix DMC-GH1 has already shown off its visual prowess a time or two before, but the eagle-eyed photogs over at DPReview have finally hosted up a cornucopia of sample shots and videos for those still unsure if a Micro Four Thirds camera is right for them. And hey, even those cats obviously understand a little tongue-in-cheek humor, wouldn’t you say? Tap the read link for the full array of goods.
Looking for a digi cam that can stand up to your adventure vacations (you know, like, the beach) while also capturing HD-quality video? Panasonic’s LUMIX DMC-TS1 may be your salvation, and we’re happy to have one in the house for a bit of testing. It’s only just arrived and we’re still getting a feel for it, but so far we’re impressed with the build quality of this semi-rugged 12 megapixel compact shooter, which is taking some solid pictures and videos through its 4.6x stabilized zoom. Full impressions will come soon, but for now enjoy a few unboxing shots.
It’s been a long, winding road to get to this point, but we’ve finally got Panasonic coming clean and telling us a little of what we already knew and lots of stuff we didn’t regarding its Lumix DMC-GH1. The hotly anticipated Micro Four Thirds shooter is indeed getting priced at $1,499.95 when it lands in the US in “early June,” and that MSRP will include the LUMIX G VARIO 14-140mm/F4.0-5.8 ASPH/MEGA O.I.S. lens. Speaking of the lens, it’ll boast a silent motor and continuous auto focusing (AF) capability for HD video, a feature that’s sorely (sorely!) lacking from video-capable DSLRs. The cam will ship only in black and will capture video in AVCHD 1080p/24p (or 720p/60p) form, and Panny also tells us that users can adjust shutter speed and control aperture during motion recording. Can you say: “want?”
Panasonic’s Lumix DMC-GH1 certainly has a lot going for it. It’s smaller than a DSLR, boasts some interchangeable lenses, and it’s apparently more than up to the task when it comes to shooting video. Unfortunately, all of that doesn’t come cheap, with the camera now up for pre-order from J&R for the not so low price of $1,499.99, which puts it well above a number of more-than-capable DSLRs. Of course, that price does include a 14-140mm lens, and it could come down slightly once some other retailers get in on the discounting action, but it’s pretty clear that anyone simply looking for a low-cost alternative to a DSLR (or a low-cost DSLR, for that matter) will want to look elsewhere.
We’ve already gotten a pretty good look at Panasonic’s new Lumix DMC-GH1, and even seen a few sample shots, but filmmaker and blogger Philip Bloom has now come through with yet another hands-on with the camera, and he’s thankfully also gone the extra mile and included some sample video footage. As with some other lucky folks that have gotten their hands on the not-quite-a-DSLR, Bloom seems to be mightily impressed with it, saying that the image out of the camera is “utterly terrific,” and that it’s “a dream to use operational wise.” He also found that the built-in mic was “way better” than the ones found on comparable, or even higher-end, Nikons or Canons (like the 5D Mark II pictured alongside the GH1 above), although it’s obviously made even better by the optional top mic. Of course, it’s the sample footage really tells the story, and you can find somewhat compressed version after the break, and an even higher quality sample at the link below.
Both Panasonic and Canon announced their first water- and shock-proof compact toughcams earlier this year, and we’ve taken them underwater for a test. Which is better for capturing your summertime antics both wet AND wild?
Let me say first that I did not use either of these cameras in their ideal conditions—namely, outside, underwater while swimming. For some reason, Canon and Panasonic did not tailor the release dates of these cameras to coincide with my trip to Egypt a few months ago, which is where I wanted to test them out (why not guys??). Back here in New York, any outdoor body of water is way too frigid right now, and there’s something pretty creepy and ultimately unacceptable about taking an underwater camera to the YMCA for test shots. So, instead of the verdant coral reefs of the Red Sea off the Sinai coast, which were straight out of Planet Earth, our test shots are of me playing with a Kraken Attackin’ Lego Pirates playset in my kitchen sink. Which is a cool playset, but, you know, not the same.
But still, we’ve gathered enough data I think to inform your decision, if you’re thinking of picking up a waterproof toughcam for this summer. Here are the main points of differentiation I see:
Form Factor/Interface Both cameras are waterproof, but the Canon D10 is protected up to 10 meters (around 32 feet), where the Panasonic TS1 is only protected up to three meters (around 10 feet). And that’s immediately apparent in their shapes:
The D10 looks like it was designed by Ringo on the set of Yellow Submarine—its bulbous shell and porthole-like screws drive home the fact that this baby is going underwater. But on land, it’ll be tough to fit it into a pants pocket without some serious bulging.
It does have some nice, easy-to-press buttons for changing into video mode, for instance, and the icons on the LCD screen are nice and big, easily spotted through a snorkeling mask. There are some superfluous button presses to lock in settings which could be tedious underwater, but the UI is not horrible, and you’ll easily get used to it. The D10 also has come big screw-mounts on each corner for mounting various underwater grips and other accessories that you can buy from Canon.
The TS1 takes a totally different approach, with a sleek rectangular slab shape that at first glance is hard to distinguish from regular non-tough weeniecams. The buttons are a bit smaller, but not prohibitively so, and shootings modes are selected with a thumb dial instead of dedicated buttons—I didn’t see anything I couldn’t operate with a bit of practice while snorkeling. A basic locking wrist-strap comes in the box.
The important thing is that the TS1 is not at all out of place in non-toughcam situations, where the D10 may be. But if you’re a deep snorkeler, three meters may not be enough for you compared to the D10’s 10 meters (I imagine if you’re a serious SCUBA diver, you’ll need something beefier than either of these), but where you lose usability under water with the TS1 you will gain it on land. Consider that.
Video Another big difference, if not the biggest, is that the Panasonic TS1 shoots 720p in the AVCHD format, where the Canon only does 640×480 VGA vids. The TS1 video recording mode isn’t the most polished—there’s a good two to three second delay from when you hit the dedicated video button to when recording actually starts and stops, and it’s unclear exactly when everything does start, but if you’re OK with that, the HD video mode is awesome. I mean, underwater HD in such a tiny package—that’s a no-brainer right? I would kill to have some HD clips of my friends and I swimming around in crazy schools of neon fish in Egypt.
Here are some sample clips from the sink:
TS1 720P Clip:
Note: There is a current bug with the TS1 that makes video imported into iMovie ’08 and ’09 play at double speed. I had to do some conversion to avoid this, which is a pain. Panasonic says they’re working with Apple on this to include a fix in future versions of iMovie.
Canon D10 VGA Clip:
Keep in mind that the AVCHD format is kind of annoying, in that you might have to install special codecs and import video straight into your video editing software of choice and then export it in friendlier formats, rather than just grabbing an AVI or MOV clip from the memory card and uploading it to YouTube.
And yeah, the quality of these videos is pretty bad, but the difference in the actual output is clear: 720p underwater rules.
Shooting Both cameras are 12-megapixels, for full-res shots at 4000×3000. Both have the same size CCD sensor, but the TS1’s ISO goes up to 6400 where the Canon D10’s only to 1600. I didn’t do a thorough sensitivity test with either camera, but I would imagine you don’t want to go much higher than 800 on either one, so the difference is probably fairly moot.
A difference that does matter is the TS1’s wider-angle lens: it’s a 28mm-128mm f/3.3-f/5.9 effective focal length zoom, compared to the D10’s 35mm-105mm f/2.8-f/4.9.
As you can see, color reproduction via the TS1’s Leica lens is far better than the D10s, which has to fight through a bit more protective plastic. Also, the TS1 tends to autofocus underwater with much greater ease—important, because you won’t always be able to look at the LCD when composing shots while snorkeling.
Conclusion Like I said, I only played with these cameras in the sink, so I didn’t push their waterproof capabilities to their max. But having a waterproof and shockproof camera around the house is kind of cool in its own right—imagine taking bath time photos of your kid without having to worry about getting the camera wet, or taking shots with dirty hands while you’re barbecuing, or anything like that. You can always dunk these cameras underwater to clean them off. It’s nice. You don’t have to be a snorkeler to use them and have fun with them.
Which is why for me, the balance shifts heavily toward the Panasonic TS1. Its form factor makes using it on land a lot more convenient, and the added HD video option is a huge plus. And my ears hurt if I go down much further than three meters underwater anyway. At a premium of only $70 ($400 list vs. $330 for the D10), I’d say it’s well worth spending up for.
Panasonic Lumix DSC-TS1 HD video capture
Unobtrusive form factor good for both land and sea
Granted, this was totally expected, but we can’t possibly be more excited to see such a peripheral emerge before the Micro Four Thirds segment even has a chance to blossom. Cosina, parent company of Voigtländer, has just introduced a new adapter which aims to make Micro Four Thirds cameras (you know, like Panasonic’s Lumix DMC-G1) compatible with a slew of existing Voigtländer, Leica and Carl Zeiss lenses. Unfortunately, we’re told that the device is mechanical only, which could cause issues with some of the more advanced features that require tight knit camera-lens communication. Head on past the break for a full list of suitable lenses, and feel free to ping your favorite Japanese importer with a mailing address and at least ¥19,800 ($205).
We tell ya, that Panasonic FS line sure knows how to expand. Just months after we saw a few more added to the mix, the point-and-shoot Lumix family is growing yet again with three new members. Kicking things off is the 12.1 megapixel DMC-FS12, which boasts a 4x optical zoom, optical image stabilization, 2.7-inch LCD, a WVGA (848 x 480) movie mode and digital red-eye correction. The 10.1 megapixel DMC-FS62 packs most of the same features, though it does step down to a 2.5-inch LCD. Finishing up the trio is the DMC-FS42, a 10.1 megapixel shooter that does most everything the FS62 does save for the omission of optical image stabilization and a few other minor exclusions. The whole lot is expected to arrive soon in a variety of hues, though precise pricing and availability details are still missing.
Panasonic’s HD Micro Four Thirds shooter honestly can’t arrive soon enough, with its continual autofocus while shooting, on-the-fly aperture switching and all around loveliness. Thus, it’s with a heavy heart that we present to you the following tidbit: according to Doug Borbath, a senior project manager at Panasonic Canada, the DMC-GH1 won’t ship to North America until “late May,” though the pricing remains pretty much in line with what we’ve been hearing. It’ll sticker at $1,899CDN, which equates to just over $1,500 here in the United States. That price does include the pretty astounding 14-140mm (28-280mm in Four Thirds terminology) stock lens, though it doesn’t include the optional external microphone ($200; available “around the same time”) nor the super wide angle Lumix G Vario 7-14mm/f4.0 ASPH (price unknown; available at GH1 launch). Check the read link for some seriously enviable footage.
This is a great time to be shopping for a high-end pocketable digital camera — assuming you’re the sort who doesn’t get overwhelmed when faced with plenty of options. With recent offerings like Fuji’s F200EXR, Ricoh’s CX1, and Casio’s EC-FX100, it’s a busy market, and now the arrival of Panasonic’s DMC-TZ7 makes it even more so. Reviewed by Photography Blog, the 10 megapixel cam was found to offer great image quality at both ends of its 12x, 25 – 300mm Leica lens, functional image stabilization, and minimal noise up to ISO 400 (though it does go all the way to 1600). Even the 720p video recording impressed, which you can see for yourself in the sample vid embedded below. At the end it nabs a perfect rating, which might make it perfect for your pocket — if you don’t mind that $400 MSRP.
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Both 
HD video capture
28mm wide-angle lens
Buttons perhaps more difficult to use underwater
Only waterproof up to 3 meters
