Olympus’ E-P1 may be cuter, but it was Panny’s own Lumix DMC-GH1 carrying the Micro Four Thirds banner for quite some time. After an excruciatingly painful wait for it to slide from concept to production, it was largely met with praise from the industry. Of course, smaller rivals have since emerged, leaving early adopters with an expensive piece of larger-than-necessary kit. Still, we’re anxious to hear if you MFT believers that jumped at the chance to own a GH1 are still satisfied with your decision. Is the image quality where it should be? Are the controls implemented well? Do you have to keep stealing it back from your lady friend? Rip it or praise it, but whatever you do, do it in comments below.
Filed under: Digital Cameras
How would you change Panasonic’s Lumix DMC-GH1? originally appeared on Engadget on Sat, 19 Sep 2009 01:01:00 EST. Please see our terms for use of feeds.
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We’ve already seen plenty of the Olympus E-P1, but when we dropped by Olympus’ booth today at IFA we just couldn’t resist slapping on the biggest lens they had, courtesy of the micro four thirds to standard four thirds adapter, and shooting a bit of dramatic show floor footage. The verdict? It’s totally impractical, especially because there’s no autofocus during video with certain lenses, meaning we’re stuck working the manual focus ring, D90-style. Still, we didn’t expect anything different, and our short film entitled “People Wandering Around, Totally Out of Focus” really made the effort worth while. Oh, and for our money? The white model is about twice as sexy as the gray. Videos are after the break.
Continue reading Olympus E-P1 meets 50-200mm SWD lens monstrosity, hilarity ensues
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Olympus E-P1 meets 50-200mm SWD lens monstrosity, hilarity ensues originally appeared on Engadget on Sat, 05 Sep 2009 11:02:00 EST. Please see our terms for use of feeds.
Just look at that little bugger. Ain’t it just so cute? All jesting aside, the adorably retro piece of kit you’re inevitably peering at above rings up at $799 to $899, meaning that it’s priced way too high to be slotted in most consumers’ impulse buy category. Olympus’ E-P1 was launched with high hopes, and it pretty much held the weight of the Micro Four Thirds world on its shoulders. During our time with the unit, we found image quality to be satisfactory overall and the design to be simply stunning, but we certainly didn’t come away feeling it was flawless. For those of you who overlooked the entry-level DSLR in order to try something different, how has that decision treated you? Are you full of remorse? Could you not be happier? Spill all in comments below.
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How would you change Olympus’ E-P1? originally appeared on Engadget on Fri, 04 Sep 2009 23:05:00 EST. Please see our terms for use of feeds.
We’ve been wondering when Panasonic would do something a little more interesting with a Micro Four Thirds sensor than simply pack it into an SLR-style body, and it looks like the new Lumix DMC-GF1 is the first step along that road. First leaked early last month, the spec sheet aligns pretty closely to the similarly sweet-looking Olympus E-P1, although most of the numbers max out a little lower: 12.1 megapixel Live MOS sensor with ISO 3200 sensitivity, 720p 30fps AVCHD Lite or Motion JPEG video (sorry, no mic input), three-inch LCD, and HDMI out. (In terms of size it’s a wash: the GF1 is less wide, but it’s a tick taller, and they’re both about the same thickness, although the GF1 has a built-in flash.) Ready for the bad news? Panny’s going to be selling this thing in two kits come October, one with a 20mm/f1.7 “pancake” lens and the other with a 14-45mm/f3.5-5.6 zoom, and both are priced at $900 — not including the optional viewfinder attachment. Yeah, that’s a lot of scratch, especially since the E-P1 has slightly better specs and lists for $800. We’ll see what street prices look like after a couple months, but for now we’re, oh, let’s say, “waiting to be convinced.” Full press release after the break.
Update: Well, what do you know? PhotographyBLOG has a nice gallery of sample shots up to give you a solid idea of what this bad boy’s capable of.
Continue reading Panasonic goes rangefinder with the Lumix DMC-GF1
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Panasonic goes rangefinder with the Lumix DMC-GF1 originally appeared on Engadget on Wed, 02 Sep 2009 00:01:00 EST. Please see our terms for use of feeds.
As leaked, Panasonic’s third Micro Four Thirds camera, the GF1, matches the small size of the Olympus E-P1 while adding a built-in flash and some great new lenses.
Besides the size and shape, the Lumix GF1 is very similar to the E-P1: Same 12.1 MP sensor, same 720p video and HDMI-out and same $900 kit price. But it does bring a handful of improvements, most notably the addition of a built-in flash. For the E-P1, the flash is a $200 attachment that hikes up the price and lowers the portability, so some people will be pleased to see it integrated in the GF1.
The other big refinements over the E-P1 is the LCD. Since there’s no optical viewfinder—or even a high-res digital one like on the G1 and GH1, it’s important to get all the dots you can on the 3″ LCD itself. The E-P1’s has a paltry 230,000 dots, while the GF1’s has 460,000 dots.
The lenses Panasonic is offering in the kits also look great, though of course we can’t make a definitive judgment until we try them out. One kit has the Lumix G 20mm f1.7 “pancake” lens, which seems better, on paper, than the E-P1’s 17mm f2.8 kit lens. The other kit includes the LUMIX G VARIO 14-45mm f3.5-5.6 zoom lens. Both kits should retail for $900 when they’re released in early October.
PANASONIC INTRODUCES ITS LATEST LUMIX G SERIES DIGITAL CAMERA – THE LUMIX DMC-GF1
The LUMIX GF1, the world’s smallest and lightest system digital camera with built-in flash*, packs powerful DSLR and HD video capabilities into a sleek and easy-to-use compact body
Secaucus, NJ (September 2, 2009) – Today, Panasonic announced the new LUMIX DMC-GF1, the latest addition to the award-winning LUMIX G Series, which debuts as the world’s smallest and lightest system digital camera with a built-in flash*. The LUMIX DMC-GF1 distinguishes itself from previous models with its elegant, compact design reminiscent of classic film cameras, yet builds on Panasonic’s success with the revolutionary LUMIX G Series of digital interchangeable lens system cameras based on the Micro Four Thirds system standard. With its compact size, user-friendly design and ability to record High Definition (HD) video and take professional-quality photos, the LUMIX GF1 continues to redefine digital photography standards.
“Panasonic changed the digital camera industry with the world’s first Micro Four Thirds digital camera, the LUMIX G1 – a compact “DSLR-like” digital camera that produces exceptional image quality. Then, as we continued to raise the innovation bar, Panasonic launched the LUMIX GH1, adding full High Definition 1080p video recording with continuous auto focus,” said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “The new LUMIX GF1 continues the evolution and is the perfect addition to our LUMIX G Series, as its sophisticated, small body makes it easier and more convenient to carry. The GF1 is ideal for point-and-shoot consumers looking to step-up to DSLR-quality or for current DSLR users who want greater convenience without compromising performance quality or creative flexibility.”
With its lightweight body, the LUMIX GF1 provides experienced photographers with the ideal digital camera to carry with them at all times. Like its predecessors in the LUMIX G Series, the LUMIX GF1 eliminates the pentaprism found in traditional interchangeable lens cameras. Thus, this mirror-free structure allows Panasonic to dramatically reduce both size and weight.
Though small in size, the LUMIX GF1 does not compromise in advanced features. The LUMIX GF1 thoroughly optimizes the advantages of a system camera to ensure high performance, whether capturing photos or HD video. The LUMIX DMC-GF1 can record 1280 x 720 High Definition video in AVCHD Lite, a format that enables longer recording times. With a dedicated video record button, capturing video is convenient and easy. The LUMIX GF1 can also record HD Motion JPEG in 1280 x 720 and other video recording formats include: QVGA, VGA and WVGA. The LUMIX GF1 has a unique Movie Program Mode that allows consumers to adjust the depth-of-field while shooting in HD video, so background and foreground can be blurred to give creative effects – something typically only possible with expensive professional camcorders.
The LUMIX DMC-GF1 includes the new My Color mode, which includes seven preset effects – Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, Silhouette and Custom – all which let users manually set the color, brightness and saturation levels. With the Live View function, users can see how these settings will effect the photo before they shoot, making it easier to capture the exact mood or atmosphere desired. For even more elaborate effects, users can choose from a total of nine Film modes, and set the contrast, sharpness and saturation levels for each. A custom function lets users store their favorite settings in memory. Furthermore, the exposure meter can be displayed in other shooting modes and the correlation between shutter speed and aperture is shown, with a color-coded warning that alerts users when the settings are not in the proper range.
For those users not quite comfortable with extensive manual and creative controls, the LUMIX GF1 provides a user-friendly setting that can address a beginner’s comfort level, while helping them evolve their photography skills. For instance, Panasonic’s new Scene mode, Peripheral Defocus, lets users take a photo where the foreground is in focus and background is blurred – or vice versa. This popular effect can be intimidating for a beginner, but in the Peripheral Defocus mode, by simply selecting the objects to be blurred and focused using the camera’s keypad, it is simple for photographers of any level.
Also, helping to make the LUMIX GF1 more approachable, Panasonic’s popular iA (Intelligent Auto) mode, a system of technologies that engage automatically – no setting changes needed – allows for intuitive use when shooting still or video images. While shooting video, iA activates Panasonic’s O.I.S. (Optical Image Stabilization), which helps reduce video-blurring due to handshake. In addition, Face Detection automatically detects a face in the frame and adjusts focus, exposure, contrast, and skin complexion on it so it always turns out beautifully. Intelligent Exposure continually checks the ambient light level and adjusts the exposure setting as conditions change to prevent blown highlights and blocked shadows. For still photos, the iA system encompasses: Face Recognition (up to six faces can be registered); Auto Focus (AF) Tracking; Mega O.I.S.; Intelligent ISO; Intelligent Exposure; and Intelligent Scene Selector.
The LUMIX GF1 also comes fully-equipped with a built-in flash and a large, 3.0-inch Intelligent LCD with a wide viewing angle and a 460,000-dot resolution. The Intelligent LCD offers automatic backlight control, which when combined with its high-resolution, helps improve visibility in all light environments – from sunny outdoors to low-light interior settings. New for the LUMIX G Series, the LUMIX GF1 is compatible with an optional Live View Finder (DMW-LVF1), which provides the full-time live view function boasting 100% field of view regardless of the attached lens. To further expand the LUMIX G Series system, Panasonic Micro Four Thirds digital cameras can be used with Four Thirds System interchangeable lenses via an optional mount adaptor DMW-MA1 and with the prestigious Leica M/R lenses using Panasonic’s DMW-MA2M DMW-MA3R. These adapters give the user access to the unlimited number of lens properties.
The LUMIX GF1’s sensor technology offers the best of both worlds – the superior image quality of a CCD sensor, and the low-power consumption of a CMOS sensor. Advanced technology makes it possible to read four channels of data simultaneously, helping the LUMIX GF1 deliver 60 frames-per-second full-time Live View images, while maintaining fine detail and rich gradation. The LUMIX GF1’s Venus Engine HD records stunning high-resolution 12-megapixel images using its advanced Live MOS Sensor. This sophisticated LSI circuit separates chromatic noise from luminance noise and applies the optimal noise reduction to each, helping to capture clear and beautiful images even when shooting at high ISO levels.
The contrast AF system adopted in the LUMIX GF1 is not only accurate, but also very quick – approximately 0.3 seconds with the LUMIX G H-FS014045 lens. Users can choose from a wide-range of AF modes, including multiple-area AF with up to 23 focus areas; 1-area AF with a selectable focus area; Face Detection; and AF Tracking. The LUMIX GF1 also has a Quick AF function that begins focusing as soon as the user aims the camera – without pressing the shutter button halfway.
As with all Panasonic LUMIX G Series digital cameras, the LUMIX GF1 is equipped with a highly-effective Dust Reduction system. Thus, if dust gets inside the camera (when changing lenses), Panasonic’s Dust Reduction system addresses this problem by placing a supersonic wave filter in front of the Live MOS sensor which vertically vibrates around 50,000 times per second, thus repelling the dust.
The content captured on the LUMIX GF1 can easily be viewed on a Panasonic VIERA® HDTV by simply inserting the SD/SDCH Memory Card into the VIERA’s SD/SDHC Memory Card slot or into a Panasonic DIGA Blu-ray Disc Player. Alternatively, an optional mini HDMI cable can be used to output still and motion images recorded with the LUMIX DMC-GF1 directly to the TV for easy VIERA Link™ operation, with control of playback functions, such as slideshows, managed from the VIERA HDTV’s remote control.
The Panasonic LUMIX DMC-GF1 will be available in early October 2009 with the option of two kits – both with a suggested retail price (SRP) of $899.95. One kit option includes the newly-announced LUMIX G 20mm/F1.7 ASPH, a compact and lightweight “pancake” lens, while the other kit features the LUMIX G VARIO 14-45mm/F3.5-5.6 ASPH/MEGA O.I.S. The optional Live View Finder DMW-LVF1 has an SRP of $199.95; while the DMW-MA2M and DMW-MA3R both have an SRP of $249.95. All new accessories will also be available in early October.
For more information about Panasonic and its LUMIX G System cameras and accessories, please visit www.panasonic.com/lumix.
So much for subtle, ambiguous leaks. As a great follow-up to the first blurry pics we saw of Panasonic’s Lumix GF1, someone over at dpreview apparently pulled the trigger a little early and posted a vertical banner ad for the micro four thirds camera, with the tag line “DSLR photo quality in ultra compact flat design.” 4/3rumors has some of the other ad variants if you’re curious — so now that its ad campaign is primed for launch, anyone care to take a guess how much longer we’ll be waiting for its full debut?
[Via Photo Rumors; thanks, Ren K]
Filed under: Digital Cameras
Panasonic Lumix GF1 banner ad hits the web, still not official originally appeared on Engadget on Tue, 01 Sep 2009 19:26:00 EST. Please see our terms for use of feeds.
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[Via 4/3 Rumors, thanks Enzo]
Filed under: Digital Cameras
Purported Olympus E-600 apparently spotted in the wild originally appeared on Engadget on Wed, 26 Aug 2009 14:28:00 EST. Please see our terms for use of feeds.
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Continue reading Rumored Micro Four Thirds Panasonic GF1 gets pictured
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Rumored Micro Four Thirds Panasonic GF1 gets pictured originally appeared on Engadget on Thu, 06 Aug 2009 13:51:00 EST. Please see our terms for use of feeds.
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Olympus did its darnedest to drum up hype for the recently unveiled E-P1 Micro Four Thirds shooter, and while we already shared our two pennies on the thing, we figured it prudent to round up the best of the best from elsewhere on the web to give you a fuller picture. The long and short of it is this: the E-P1 is universally praised in terms of image quality, with the only real knock in that department going to higher-than-likable noise levels in low-light scenarios. Still, a camera is about more than just the output, and reviewers were quick to lament the dearth of an integrated viewfinder and flash. Furthermore, critics panned the camera for being slow to focus, oftentimes requiring well over half a second to finally settle and snap a shot. That said, we couldn’t find anyone who wasn’t won over by the image quality, but we’d make darn sure those other nuisances won’t frustrate you to no end before falling for the cute factor.
Read – PhotographyBLOG
Read – DigiCamReview
Read – photocrati
Read – PhotographyPress
Read – OutbackPhoto
Read – CNET
Read – Steves Digicams
Filed under: Digital Cameras
Olympus E-P1 review roundup originally appeared on Engadget on Fri, 17 Jul 2009 09:03:00 EST. Please see our terms for use of feeds.
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