How to Do Automatic Color Correction On Your Pictures For Free

This article was written on November 25, 2009 by CyberNet.

photo autocorrect.jpgarrow Windows Windows only arrow
If you’ve ever toyed around with any digital camera for five minutes, you know that the pictures it takes often look different than what you saw in real-life. Common complaints include photos being too bright/dark or having an odd-looking color balance. Looking for a one-click fix to these problems? Read on.

The tool we’re going to use is the recently overhauled Paint.NET. It has been around for some time now and gained quite a following since its inception. It’s great for the occasional photo resizing and cropping job and supports layered picture editing. It was only recently that I discovered that it also has an auto-fix function to make your pictures look better. Here’s how it works.

  1. Open an image in Paint.NET.
  2. Go to the Adjustments menu and select Auto-Level.

Pretty easy, right? I’ve taken a few pictures with my cheapskate digital camera to test it out. The results range from pretty good to downright awkward. Let’s have a look. (Click a thumbnail to enlarge it.)

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As you can see, your mileage may vary. Still, for that tiny bit of extra production value, it’s always worth a try before showing off your pictures to friends and family . For a look at some of Paint.NET’s other functions such as red eye removal, click here.

Download Paint.NET (Windows only; Freeware)

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MultiTouch Ltd’s 46-inch panel accepts unlimited touch inputs, we put it to the test (video hands-on)

MultiTouch Ltd has been at this IR-based multitouch thing since 2007 and it’s hit CES in force this week. Sure, the current 46-inch model requires 12 inches of depth — in order to provide sufficient space for the infrared cameras embedded in its back to capture the whole, ahem, surface — but having unlimited touch inputs is always a wildly impressive sight. We put one of the displays to the test by exploiting a nearby crowd and slapping down a good 40+ fingers on it, all of which were recognized. To be perfectly fair, the IR cameras don’t seem to have a very flat recognition area and many of our inputs were picked up from over an inch from the screen. The 46-incher under hand is already available for a totally affordable $17,000, provides full HD resolution, and hooks up to a PC for processing of input. See our thoroughly intensive test on video after the break.

Continue reading MultiTouch Ltd’s 46-inch panel accepts unlimited touch inputs, we put it to the test (video hands-on)

MultiTouch Ltd’s 46-inch panel accepts unlimited touch inputs, we put it to the test (video hands-on) originally appeared on Engadget on Sat, 08 Jan 2011 20:31:00 EDT. Please see our terms for use of feeds.

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How Lady Gaga Just Reinvented Eye Contact [Video]

Lady Gaga’s weirdo Polaroid glasses are about to turn our faces into Facebook feeds and mood rings. More »

Money Shot: The Lady’s Polaroid Glasses Look Gaga [Video]

The Polarez GL20: image capture device, display, loud fashion statement. It’s weird. It’s wonderful. It may or may not be the camera of the future. One thing is for sure: You want to see it! It’s OK to stare. More »

The Polaroid Camera, Rethought and Digitized [Cameras]

This solidly designed Polaroid GL30 beauty is a modern take on the old-school Polaroid camera you may own and love. It’s digital, has an adjustable display, and will spit out your photos in seconds. And did I mention it’s freakin’ gorgeous? More »

Polaroid 300: A Return to Simpler Things

polaroid 300.jpg

I was blogging from the Polaroid booth in the Central Hall of the Las Vegas convention center for a while today, because the company was so kind as to provide us tired bloggers with a few couches to sit on. I was seated next to two women who were shooting showgoers with the new Polaroid 300. Everyone seemed genuinely baffled at the notion that the camera they were holding wasn’t digital.
Film cameras in this day and age? Yep. The Polaroid is an honest-to-goodness throwback to the instant film cameras that helped the company capture the imagination of the public. The camera takes shots roughly the size of business cards. Once taken, it takes about a moment for them to develop.
The 300 has four image settings and an automatic flash. You can pick one up now for about $90–not bad, but as always, the film is where they get you. It’s about $10 for a back of 10 images.

Pro-Style Camera Shooting Rig for the iPhone

camtrol iphone.jpg

The iPhone 4 has a good video camera, sure, but perhaps this is overkill? Camtrol designed this the Prime free shooting rig for digital cameras and camera phones. The above shot has an iPhone 4 clamped in. 
You can get some great free hand shots with the thing–its surprisingly light (you can definitely hold it with one hand). It also serves as a handy tripod. The rig will run you around $300, but you’ll be the envy of all of those losers who have to hold their camera phones in their hands. Suckers.

Panasonic intros Lumix DMC-S3, DMC-S1, DMC-FH25 and DMC-FH27 compact cameras

More Lumix goodness? You betcha. Hot on the heels of Panasonic’s CES unveiling of the FP5, FP7, FH5 and FH2 ultraslim compact camera comes this: even more Lumix compacts. Per usual, we’ll tell you exactly what you need to know below, and those hungry for more can peek the full releases after the break.

  • Up first we have two new folks joining the S series: the DMC-S3 and DMC-S1. Both of these are designed for up-and-comers looking for ease of use, with the S3 having a 14.1 megapixel sensor and the S1 dipping to a 12.1 megapixel sensor. Both of ’em tout a 720p movie mode, refreshed designs and a 4x optical zoom lens. Panny admits that they’re both “entry-level,” though you’ll still find optical image stabilization, face detection, an intelligent scene selector and the Venus Engine VI image processor. There’s a 2.7-inch LCD on the rear of each unit, and while the S3 will ship in blue, red, black and violet, the S1 will arrive in black, gold, blue, pink and silver. Mum’s the word on a price and release date, sadly.
  • The DMC-FH27 and DMC-FH25 point-and-shoots are both aimed at the fashionistas in the crowd, with the pair touting a 16.1 megapixel sensor, 8x optical zoom lens and a 720p movie mode. There’s also an advanced Intelligent Auto mode for those who detest fiddling with settings, and the Venus Engine VI image processor promises to speed up just about everything dealing with operation. Face detection, optical image stabilization and an intelligent scene selector are all present, though the FH27’s 3-inch rear LCD one-ups the 2.7-inch panel that’s on the FH25. Per usual, Panny’s keeping its trap shut when it comes to a price and release date.

Continue reading Panasonic intros Lumix DMC-S3, DMC-S1, DMC-FH25 and DMC-FH27 compact cameras

Panasonic intros Lumix DMC-S3, DMC-S1, DMC-FH25 and DMC-FH27 compact cameras originally appeared on Engadget on Wed, 05 Jan 2011 18:30:00 EDT. Please see our terms for use of feeds.

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Panasonic debuts Lumix FP5, FP7, FH5 and FH2 ultraslim compact cameras

It ain’t Photokina, and it ain’t PMA, but darn if the cameras aren’t rolling out left and right here at the 2011 edition of CES. This evening, it’s Panasonic’s turn, and we’ve got four new Lumix point-and-shoots to discuss in more detail below:

  • For starters, we’ve got a pair of newcomers to the Lumix FH series, the FH5 and FH2. Both of these are sporting sleek, svelte exteriors, with the DMC-FH5 nabbing a 16 megapixel sensor and the DMC-FH2 stepping down to 14 megapixels. Both of ’em feature a newly-developed retractable 28mm wide-angle lens, a 4x optical zoom and a 720p movie mode. You’ll also find a newly-incorporated Venue Engine VI, which hastens startup and overall reaction times. Mega optical image stabilization, face detection and an intelligent scene selector are all included, as is the Lumix Image Uploader to get your shots up onto the web, STAT. Pricing on this duo is expected at a later date, though we are told that the FH5 will ship in silver, violet, black and gold, while the FH2 dons black, red, pink and blue outfits.
  • Looking for something with a bit more pizazz? The ultrathin FP series is growing by two today as well, with the 16.1 megapixel DMC-FP7 and 14.1 megapixel DMC-FP5 offering up a sexy exterior, 4x optical zoom and a 720p movie mode. The FP7 goes with a mirror-like finish, while the FP5 sticks with matte. The FP7 (shown above) also has a nicer-than-average rear, with a 3.5-inch LCD; the FP5 steps it down ever-so-slightly to a 3.0-incher. Both models include Smart Touch Screens that enable shooters to tweak lots of settings within hitting a single physical button, and the FP7 goes one step further by offering one-touch re-touching. The duo also incorporates Panny’s Venus Engine VI, mega optical image stabilization, face detection, an intelligent scene selector and a dedicated iA button. Pricing remains a mystery for these as well, but you can decide between red, blue and black on the FP7 or black, pink, silver and blue on the FP5.

Continue reading Panasonic debuts Lumix FP5, FP7, FH5 and FH2 ultraslim compact cameras

Panasonic debuts Lumix FP5, FP7, FH5 and FH2 ultraslim compact cameras originally appeared on Engadget on Wed, 05 Jan 2011 18:30:00 EDT. Please see our terms for use of feeds.

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Samsung’s CES 2011 camera lineup: DualView ST700, PL170 and PL120 / WB210 and PL210

Samsung, taking it easy at CES? Not a chance. Hot on the heels of a smorgasbord of new HD gear comes a five-pack of new cameras. Three of ’em are situated in the company’s growing DualView line, which places a display on the front that makes self-portraits entirely easier to snap. The ST700 point-and-shoot includes a 16.1 megapixel sensor, 5x optical zoom, dual image stabilization, a 3-inch touchscreen on the rear, a 1.8-inch screen on the front, 720p movie mode, an ISO range that tops out at 3200 and a $279.99 retail price. The PL170 ($199.99) is also equipped with a 16.1 megapixel sensor and a 5x optical zoom, but the screen on the front is stepped down to 1.5-inches and the feature set is scaled back. The PL120 is the lowest-end of the new DualViews, with a downsized 2.7-inch rear LCD and a $149.99 price point.

In related news, the WB210 (shown above) and PL210 are also debuting today, with the former touting a 12x zoom lens, a 22.4mm thick body and a 14 megapixel sensor. The PL210 goes with a 10x optical zoom, 27mm wide-angle lens, a 3-inch rear LCD and a 14 megapixel sensor. These are slated to go on sale next month for $279.99 and $199.99 in order of mention, and the full releases are waiting for your eyes just after the break.

Continue reading Samsung’s CES 2011 camera lineup: DualView ST700, PL170 and PL120 / WB210 and PL210

Samsung’s CES 2011 camera lineup: DualView ST700, PL170 and PL120 / WB210 and PL210 originally appeared on Engadget on Wed, 05 Jan 2011 17:58:00 EDT. Please see our terms for use of feeds.

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