Leica M9 hands-on; or, The Tao of Leica

For most amateur photographers, Leica’s legendary M System represents a virtually unobtainable holy grail, a line of cameras so unspeakably expensive, rare, and coveted that even having the opportunity to hold one — much less own one — is a somewhat unrealistic goal. Why is that, exactly? It’s a combination of things, really; sure, Leica’s brand cachet undoubtedly factors into it, but in reality, it’s much, much more than that. For our money, nothing demonstrates that better than a day or two with the M9, the company’s latest flagship rangefinder with an 18 megapixel CCD sensor sourced from Kodak.

And what, exactly, does it feel like to carry $11,695 worth of rangefinder body and lens around? Follow the break.

Continue reading Leica M9 hands-on; or, The Tao of Leica

Leica M9 hands-on; or, The Tao of Leica originally appeared on Engadget on Wed, 31 Mar 2010 11:00:00 EST. Please see our terms for use of feeds.

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Canon Rebel T2i / 550D receives plaudit-heavy reviews

We’ve seen plenty of the headline 1080p / 30fps video mode on the Rebel T2i, but what’s been missing till now are the equally comprehensive reviews of this new 18 megapixel shooter‘s other talents. Starting off with image quality — still the bread and butter of any DSLR — Camera Labs informs us that “the EOS 550D / T2i delivered images which were essentially the same as those from the EOS 7D,” describing them as highly detailed and exhibiting no greater noise than can be found on Nikon’s 12 megapixel competitors. An impressive feat, you will agree. Further appreciation is meted out for the newly improved LCD screen on the back, whose 3:2 ratio matches the sensor’s dimensions, but there’s also warning that the 7D retains a significant advantage in terms of ergonomics, weatherproofing, continuous burst mode, and autofocus. Even so, both reviews were happy to pin their “highly recommended” badges on the T2i, and you can discover the more nuanced reasons for doing so at the source links below.

Canon Rebel T2i / 550D receives plaudit-heavy reviews originally appeared on Engadget on Wed, 31 Mar 2010 10:13:00 EST. Please see our terms for use of feeds.

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iPad Camera Connection Kit finally surfaces for pre-order, still absurdly overpriced

If you’ll recall, Apple had no qualms revealing the iPad Camera Connection Kit at its ‘Latest Creation‘ event back in January, but the solution seemingly dropped from the face of the Earth shortly thereafter. Even as cases, keyboards and all sorts of other iPad accessories surfaced for pre-order, the camera kit remained nowhere to be found. Over the weekend, the $29 adapter bundle finally found a home at the outfit’s website (with a “late April” ship date), offering users a pair of dongles to support USB and SD cards. Of course, one could easily argue that the iPad should have native support for both of these widely used formats without forcing users to lug around two extra peripherals, but if that were the case, this thing just wouldn’t be an Apple, now would it?

iPad Camera Connection Kit finally surfaces for pre-order, still absurdly overpriced originally appeared on Engadget on Mon, 29 Mar 2010 10:49:00 EST. Please see our terms for use of feeds.

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Samsung’s ST5000 and WiFi-infused ST5500 digicams emerge in Korea

How’s a company to follow-up on a point-and-shoot camera with two LCDs? Why, by tossing out a new one with integrated WiFi, of course! Originally teased last month, Samsung has gone ahead and rightfully introduced its new ST5000 and ST5500 over in South Korea, both of which tout 14.2 megapixel sensors, a 7x optical zoom and your choice of black or orange color schemes. The ST5000 gets gifted with a 3.5-inch rear touchscreen, while the ST5500 steps it up ever-so-slightly with a 3.7-inch AMOLED panel. The both of ’em can handle 720p movies at 30fps (H.264 format), and the HDMI output ensures that these will easily pipe footage to your nearby television. If you’re looking for built-in wireless for uploading or emailing pictures sans a PC, you’ll need to focus on the ST5500, but most every other internal feature on the big boy is also on the lesser guy. These seem to be headed out to South Korean shops as we speak, and we know that they’ll be landing within the next month over in Britain for £279.99 ($417) and £349.99 ($521), respectively. As for you Yanks? Be patient, we guess.

Samsung’s ST5000 and WiFi-infused ST5500 digicams emerge in Korea originally appeared on Engadget on Wed, 24 Mar 2010 19:58:00 EST. Please see our terms for use of feeds.

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Impossible Project’s Polaroid film gets tested, looking pretty old-timey

The Impossible Project‘s new Polaroid-licensed film is going on sale in the UK this week, and the folks over at 1854 just got a nice little press packet in the mail which included some of the surely sought after film. The black and white only (color’s been promised for a later date) film, coupled with a Polaroid camera should obviously lead to some seriously ancient looking snapshots and… surprise, surprise — it does! Now, there are only a very few test shots (taken with a Polaroid SX-70) included for review here, so it’s hard to gauge overall quality of the output, but we have to say the snaps we’re seeing look so antiquey that it’s actually hard to tell what we’re even looking at in the photo — is it the ghost of John Wayne? Is that Charlotte Bronte or Lady Gaga hanging tough in the foreground? Still, we have to say we’re intrigued with the whole idea of producing photos this sepia-toned and grainy, especially at our next in-house competitive rave off. Hit the source link for more test shots.

Impossible Project’s Polaroid film gets tested, looking pretty old-timey originally appeared on Engadget on Tue, 23 Mar 2010 16:49:00 EST. Please see our terms for use of feeds.

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Impossible Project’s Polaroid film goes on sale this week

The famed Polaroid name many now be in the hands of various licensees and, er, Lady Gaga, but the folks at the Impossible Project are at least keeping the Polaroid dream alive, and they’ve now announced that their new Polaroid film will go on sale in the UK this week. Only black-and-white film will be available initially, including the PX100 film for the SX-70 camera, and PX600 for the One series of instant cameras (including Polaroid’s own new OneStep camera), both of which will run £16 (or $24) for an eight-pack — yeah, the impossible doesn’t come cheap. Look for color film to be available sometime this summer.

Impossible Project’s Polaroid film goes on sale this week originally appeared on Engadget on Mon, 22 Mar 2010 14:34:00 EST. Please see our terms for use of feeds.

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Quantum Technology Promises Wedding Photos From Phone Cameras

sensor size comparison. photo by Jonathan Snyder/Wired.com

A new sensor technology promises to make cellphone cameras good enough to use for wedding photos.

InVisage Technologies, a Menlo Park, California, company, has developed an image sensor using quantum dots instead of silicon. The company claims its technology increases sensor performance by more than four times.

“We have all heard ‘Gee, I wish the camera on my iPhone was better,’” says InVisage’s President and CEO Jess Lee. “But the heart of the problem is in the heart of the camera, which is the sensor.”

Most cameras today used either a CCD (charged-couple device) sensor or a CMOS (complementary metal-oxide-semiconductor)-based sensor. The silicon in current image sensors has a light-absorbing efficiency of only about 50 percent, says Lee.

Reducing efficiency still further are the layers of copper or aluminum circuitry laid on top of the silicon. The metal blocks the light, so only a fraction of a sensor’s silicon is exposed to light.

Replacing silicon with quantum dots could change all that. A quantum dot is a nanocrystal made of a special class of semiconductors. It allows manufacturers to have a very high degree of control over its conductive properties, and is about 90 percent efficient at absorbing light, according to Lee.

The quantum dots are usually suspended in fluid. InVisage takes a vial of these and spins it onto a layer of silicon, then adds the required metal circuitry to create a new type of sensor that it is calling QuantumFilm.

invisage-chart3In addition to the increased sensitivity, InVisage’s technology allows the metal circuits to be placed underneath the quantum film, where they don’t block the light.

“This is entirely different from the type of image sensors that we have right now,” says Tom Hausken, director with market research firm Strategies Unlimited. “Usually you see incremental improvements in sensor design, but these guys have made a significant change in the process.”

Quantum dots can be made from silicon, tellurides or sulphides. InVisage won’t reveal exactly which material it is using.

As opposed to silicon’s indirect band gap, quantum dots have a direct band gap. Lee says Invisage can tune the Dots’ band gap much more efficiently than silicon so it is more sensitive to visible light, ultraviolet and even infrared waves.

In the last few years, manufacturers have been touting megapixels as the measure of a camera’s prowess. But the true measure of picture quality is not as much in the megapixels but in the size of the sensor used in the device.

To capture the light, imaging sensors need to have as much area as possible. Powerful DSLR cameras have an imaging sensor that’s about a third of the size of a business card, while camera phones sport sensors that are only about a quarter inch wide (see top photo). Smaller sensors mean less light sensitivity for each pixel on the sensor, and that translates into lower-quality images.

Quantum dot-based sensors won’t be more expensive than traditional CMOS-based sensors, promises Lee. InVisage says it will have samples ready for phone manufacturers by the end of the year and the sensors could be in phones by mid next-year.

Though quantum dots are commercially produced by other manufacturers, they have never been used on image sensors before, says Hausken.

“Mostly people have looked to use it in displays, solar cells and as identification markers,” he says. “So we will have to see how effective and reliable it is as a sensor.”

See Also:

Photo: CCD senor (Divine Harvester/Flickr)

Photo: Jonathan Snyder / Wired.com


Canon EOS 5D Mark II 2.0.3 firmware yanked due to audio issues, fix is on the way

It’s not déjà vu, it’s just all happening again. Just over a year after Canon had to bow its head in shame due to a black dot / banding issue that plagued the EOS 5D Mark II, along comes yet another heartache surrounding one of the company’s finest DSLRs. The v2.0.3 firmware update that was issued earlier in the week is apparently causing audio problems for some users, with the actual quirk going a little something like this:

“Recently we have discovered a malfunction that occurs with Firmware Version 2.0.3, in which the manual recording levels for C1/C2/C3 are changed and the camera becomes unable to record audio if the power is turned off (or if Auto power off takes effect) after registering “Sound Recording: Manual” in the camera user settings. We apologize very sincerely for the inconvenience, but we are going to stop making this firmware available for download. For customers who have already updated to the new firmware, when using the camera with the mode dial set to C1/C2/C3, please either set the sound recording settings to Auto.”

In the meanwhile, Canon has pulled the update from its support site while it works on a new firmware version to patch things up, but aside from a promise of “soon,” there’s no way to tell when exactly the new file will hit the pipes.

[Thanks to everyone who sent this in]

Canon EOS 5D Mark II 2.0.3 firmware yanked due to audio issues, fix is on the way originally appeared on Engadget on Thu, 18 Mar 2010 15:54:00 EST. Please see our terms for use of feeds.

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DARPA sets sights on cameras that understand

DARPA wants to let you all know that its plans for the robot apocalypse are still going strong. The agency’s got IBM working on the brains, has an RFI out on the skin, and is handling propulsion and motor control in-house. Next up? Eyeballs. In order to give its robots the same sort of “visual intelligence” currently limited to animals, DARPA is kicking off a new program called The Mind’s Eye with a one-day scientific conference this April. The goal is a “smart camera” that can not only recognize objects, but also be able to describe what they’re doing and why, allowing unmanned bots and surveillance systems to report back, or — we’re extrapolating here — make tactical decisions of their own. To be clear, there’s no funding or formal proposal requests for this project quite yet. But if the code does come to fruition, DARPA, please: make sure autoexec.bat includes a few Prime Directives.

DARPA sets sights on cameras that understand originally appeared on Engadget on Thu, 18 Mar 2010 07:08:00 EST. Please see our terms for use of feeds.

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Lensbaby Composer, Fisheye and Soft Focus review: creativity abounds

Lensbaby lenses have been out and about for a long while now, but we were just recently able to sit down with a few of the company’s best and brightest in order to form our own opinions of the (admittedly overlooked) creative devices. For those unaware, Lensbaby makes a handful of lenses and optics that help users engage in selective focus photography, and frankly, create all sorts of wild images that would be otherwise difficult or impossible to create within Photoshop. There’s no question that these are hobby lenses through and through — you wouldn’t want to hinge your business on these — but are they worth the comparatively low asking prices? Read on to find out.

Continue reading Lensbaby Composer, Fisheye and Soft Focus review: creativity abounds

Lensbaby Composer, Fisheye and Soft Focus review: creativity abounds originally appeared on Engadget on Mon, 15 Mar 2010 14:59:00 EST. Please see our terms for use of feeds.

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