Digital Camera for Toddlers

We don’t write often about toys for actual kids (more like big kids), but this camera that debuted today at the Tokyo Toy Show is actually made for the age 3+ user in mind.

Rather than trying to use technology to help toddlers take the perfect shot, the First Digital Camera from Takara Tomy simplifies and uses a photo-sized blank space for budding photogs to frame their scenes. It’s easily gripped, durable, and much more intuitive that other cameras for tots we’ve seen.

anpanman-first-camera-2

While simple, the camera has a variety of kid-friendly features from a “talking” mode (with character Anpanman of course) and a self timer. It’s 3 megapixels and can hold 99 shots, plenty of space for documenting one’s young life.

anpanman-first-camera-1

The camera won awards this year at the show for design. Somehow I get the feeling that the majority of shots will be of food and pets, which will help Japanese kids become perfect bloggers.

Virtual Masters Reel AR Fishing Game

Japanese game manufacturer Takara Tomy showcased a particularly realistic virtual handheld fishing game called Virtual Masters Reel AR Fishing at this years Toy Show in Tokyo. Set to be released in July of this year, the fishing rod shaped gadget allows players to engage in a full fishing experience regardless of their location, thanks to a built in 2.4 inch liquid crystal monitor and a rod console that mimics the actual sensation of real fishing gear. Using Augmented Reality (AR), it contains a 0.3 megapixel camera that allows players to take photos of wherever they are and use them as the “environment” to go fishing in.

Takara-Tomy-Indoor-Virtual-Fishing-Game

The Virtual Masters Reel aims at providing a full user sensory fishing experience to players in numerous ways. Instead of merely pushing different colored buttons on a standard handheld game, players actually cast the rod into the ocean (or whatever environment they are fishing in), and based on the strength and angle of the cast, the distance of the float is recorded and players physically wind the virtual spool up to the desired displayed depth. When a blue virtual fish approaches the float, the player is alerted with a vibration and must give the device a tug to hook the prey. As they are reeling the virtual fish in, the screen displays a tension meter, which (based on the strength) causes the reel to actually bend accordingly, and is surprisingly realistic. The fiestier the fish, the stronger the bend, and the more difficult it is to reel it in; reflected in a tightening of the fishing line. Finally, using the tension meter as a guide, the player claims his prize with one last powerful tug on the rod.

The AR segment in Takara Tomy’s new toy is an interesting added feature. Its built in camera can take photos to be stored on a miniSD card, which can then be transferred onto a computer. Unfortunately the reverse is not possible, but an updated version where any picture can be transferred to be used as a fishing arena would be a nice touch. This would allow fishermen to do the impossible, such as catching prey in the grand canyon by simply downloading a picture of it from Google Images. The sound effects also enhance the realism with specific sounds such as the bait hitting the water, the water ripples, and the flight of the float as users cast out.

Virtual-Fishing-Game-AR

The Virtual Masters Reel game can appeal to all age groups, regardless of whether they have had previous fishing experience or not. It is exciting to see the term AR being used in such toys enjoyed by a wide range of consumers, rather than hi-tech machines that only tech savvy users know how to operate. Takara Tomy predicts that with the recent turn towards outdoor leisure activities, the famous “Yama (Mountain) Girls” would be followed by “Tsuri (Fishing) Girls” this year (there area already enough girls in Tokyo already walking around in wellington boots!), supporting July’s release date.

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Lomography LC-Wide: Don’t Call It a Toy Camera

Apply as many filters as you want in Instagram, but you’re not making art. For that you need 35mm film, updated with Lomography’s latest take on an old Soviet classic, the LC-Wide. More »

Panasonic plans to expand GF line, return to serious shooter roots

Panasonic GF3

We know some of you have been a little disappointed in Panasonic’s GF line of Micro Four Thirds cams as they’ve shed advanced features and become more “consumer friendly” — terrifying words for any serious user to hear. But, we’ve got some good news, at some point in the future the GF line will split with a more professionally-minded model sold alongside the more simplistic GF3. That’s straight from the mouth of Ichiro Kitao, the head of Panasonic’s camera division, who spoke to PhotoRadar about the company’s plans. When the GF1 will finally get a spiritual successor isn’t exactly clear, but we’re glad to hear the pocketable Micro Four Thirds series will finally get another serious shooter.

Panasonic plans to expand GF line, return to serious shooter roots originally appeared on Engadget on Mon, 13 Jun 2011 20:33:00 EDT. Please see our terms for use of feeds.

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Leica 25mm ƒ1.4 Lens for Micro Four Thirds

Leica’s 50mm-equivalent ƒ1.4 standard lens brings an ultrafast ‘nifty fifty’ to the Micro Four Thirds line

Oh hello! In addition to the less-than-inspiring GF3 announced today, Panasonic has redeemed itself with the new Leica DG Summilux 25mm ƒ1.4 ASPH lens. This fixed lens, which works as a 50mm equivalent “standard” on the Micro Four Thirds bodies, is likely to be one sweet chunk of glass.

First, the numbers. The lens has a seven-blade aperture for the nice, circular out-of-focus highlights (bokeh) characteristic of Leica lenses. It also comes with aspherical elements, a “nano coating” (for less reflection from the lens’ surfaces) and one “ultra-high refractive index” elements to bend the light equally to all parts of the image.

And because it opens to ƒ1.4, you’ll not only be able to take photos of anything you like in the dark, you’ll also be able to focus on somebody’s pupil and have the corner of their eye be blurred. Finally, a metal mount should mean it outlasts several cameras.

The lens, available in August, has yet to be priced. Being a Leica, it won’t be cheap. In fact, Amazon’s pre-order page — according to Photography Bay — was briefly listing it for $1,100.

Leica Summilux 25mm ƒ1.4 product page [Panasonic]

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Panasonic Announces Tiny, Feature-Lacking GF3

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It took a year and a half for Panasonic to add the GF2 to the wonderful (big) pocket-sized GF1 mirrorless Micro Four Thirds camera. Now, just five months later, we have another one — the GF3. This camera is even smaller and feature lacking than the already cut down GF2, showing that Panasonic is clearly taking this line down to the consumer level.

The camera still has a 12MP sensor, just like its two older (and smarter) brothers. It combines this with a new processor (the Venus Engine found in the bigger GH2 and G3) which allows faster auto focus and generally makes the camera snappier. It also gets some new “Photo Styles” and a new filter called miniature, aka tilt-shift, and focus-tracking when shooting video.

Much bigger is the list of what the camera has lost. Minimum ISO climbs from 100 to 160, the rear click dial has gone, as has the stereo mic of the GF2. The flash is now top center, but the hotshoe has gone, meaning you can’t add an accessory viewfinder or a flash.

For those stepping up from a compact camera the fast response, big sensor and interchangeable lenses will be a huge difference, and many will buy this instead of an SLR. For enthusiasts who loved the GF1, it looks like the end of the GF line in terms of them being useful cameras. Thankfully, all those Micro Four Thirds lenses you bought can be used on Olympus’ Pen EP series cameras, which seem to be taking things a little more seriously.

The GF3 will be on sale in July with the slow and wide 14mm ƒ2.5 pancake lens ($700), and in August with the 14-42mm ƒ3.5-5.6 kit lens ($600).

Panasonic GF3 product page [Panasonic]

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Sony NEX-C3 hands-on (video)


Sony announced the successor to its NEX-3 digital camera earlier this week, so we decided to take a post-E3 road trip down to the electronics maker’s US headquarters in San Diego to check out the $599 NEX-C3 for ourselves. We’ll analyze the new sensor’s image quality in a full review before the camera hits stores later this summer, but from our initial impressions, the new cam appears to offer fairly minor tweaks compared to its predecessor. It’s incredibly small for a camera with an APS-C sensor — perhaps even awkwardly so, when paired with the comparatively massive 18-55mm kit lens or Sony’s enormous 18-200mm optic — but not small enough to be any less functional than the previous iteration. Like the NEX-3, the camera was designed to be held by resting the lens on your left palm, rather than by the grip, so size isn’t likely to be an issue. Cosmetic changes include a magnesium alloy top panel, front microphone positioning, and a more efficient display hinge, which helped reduce the camera’s thickness. We’ll be posting a full review in several weeks, but jump past the break for more observations, and a hands-on video from Sony HQ, shot with the NEX-C3.

Continue reading Sony NEX-C3 hands-on (video)

Sony NEX-C3 hands-on (video) originally appeared on Engadget on Sat, 11 Jun 2011 13:00:00 EDT. Please see our terms for use of feeds.

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Ruggedized Ricoh Camera Shrugs Off Water, Concrete

Ricoh’s rugged, slab-shaped PX is pocket friendly

Ricoh’s rugged new PX camera may not look like much, but beneath its plain and handsome exterior there are some basic but smart features.

First, the skin itself. The PX is tough, designed to survive drops of up to a meter and a half, and stay underwater for an hour at depths of three meters or less. Should that still not be enough, you can add a silicone bumper-style case in one of several fetching colors. The white one is my favorite, and makes it look like a prop from Kubrick’s 2001.

The PX has a 16MP sensor, which can shoot from ISO 100-3200 and shoot movies at 720p, and the control layout is straightforward and simple. But there are some little touches which make this a great camera for carrying everywhere. First is the charger — the battery charges via standard USB, Next is the screen. Next is support for the Eye-Fi X2 cards, which let you upload photos on fast 802.11n networks.

I used to own a 35mm compact camera from Ricoh, and it was almost identical in design. The little boxy shape is perfect for pockets, and I carried mine with me always. Sadly, it died when the flash blew up and fried the rest of the camera, thanks to the damp apartment I used to live in. Thanks to its rugged shell, the new PX shouldn’t have that problem.

Ricoh PX product page [Ricoh]

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Snapseed App Brings Pro-Level Photo Editing to iPad

Nik's Snapseed hides a lot of power under a shiny, good-looking hood

It’s been just over a year since the original iPad shipped, and only now are we really seeing apps that are suited for the bigger multitouch screen. One of those is Snapseed, a new image-editing app from Nik. You may know Nik for its expensive and excellent software and plugins for the desktop.

Snapseed is thankfully a lot cheaper, at just $5, but it feels as full-baked as its desktop cousins. It also brings across Nik’s own U-Point product.

To use the app, you pick a photo from your collection just as you’d expect. You see your image, and next to it are the various effects you can apply. You can choose various special effects, from “Grunge” through “Vintage Film” to “Organic Frames,” or you can head straight for the meat, which is centered on “Selective Adjust.”

All the filters use a combination of swiping and pinching. You swipe up and down anywhere on screen to pick the attribute (brightness, saturation, grunge effect) and swipe left and right to vary the intensity. It’s a control method which is instantly familiar, and also very fast and powerful.

In the case of Selective Adjust, you also tap on the point where you’d like to apply an adjustment (a long tap brings up a loupe for more accurate placement) and then pick whether to adjust brightness, saturation or color (all three can be changed on a single point). Then you pinch to set the size of the effect, and swipe left or right to adjust. The U-Point tech automatically finds the edges of the area you are tweaking, confining saturation to the sky, for instance.

It is a lot more intuitive than the desktop implementation.

The level of polish is high. Not only are the built-in filters good, but there are lots of extras in the UI. For instance, tapping on a control point lets you cut copy and paste as well as delete it, and the dots also contain the initial letter of the last parameter you adjusted. You can also tap and hold a “compare” button at any time to peek at the previous version.

Another nicety is that the first time you use an effect, an overlay appears with clear instructions. These can be brought back at any time with the help button.

Any photographers are likely downloading this already. I just moved it to my first home screen.

Snapseed product page [Nik]

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Sony’s New Compact Mirrorless Camera, the NEX-C3

Sony’s NEX -C3 is just like the ‘leaked’ version, only without the flip-screen

It looks like the rumors and leaks were dead on — almost. Sony’s latest mirrorless NEX camera has been made officially official, and it is indeed a smaller, lighter version of the NEX-3. Called the NEX-C3, it’s essentially a compact camera with a big sensor and interchangeable lenses.

The one thing the rumors got wrong was actually pretty big. “Leaked” photos showed the same camera we have here, only with a bulky flip-out LCD screen. This has disappeared in the shipping model. I checked back to see if maybe the leaked photos showed an unlabeled NEX-C5 instead, but it says C3 on the top plate.

On to the specs. A new sensor gives 16.2 MP, captures 720p video and will shoot in the dark at up to ISO 12,800. It has a big 3-inch LCD screen, and Sony claims that the battery will last for 400 still shots on a single charge. That’s not bad for a mirrorless camera — my Panasonic GF-1 is the only camera I ever bought a spare battery for (and it cost almost €90, or $130. Ouch).

The NEX-C3 will be available in August and cost $650 in a kit with an 18-55mm lens. There will also be a version shipping with a 16mm lens for $600.

Sony NEX-C3 press release [Sony]

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