Firmware Update Adds 3D Panoramas to Sony NEX Cameras

Sony’s panoramic sweep feature already works surprisingly well, giving you great panoramas just by hitting the shutter and swooshing the camera across the scene before you. Now, with a firmware update, the brand-new mirrorless NEX cameras will do the same, only in 3D.

The firmware update is available for the NEX3 and NEX5 cameras, and also brings faster startup times in low light, a better 2D pano-sweep and “decreased power drain when the camera is switched off” (which I assume means that a Sony engineer looked up the word “off” in a dictionary).

But the exciting bit is the 3D panorama function, which will let you view the photos in 3D on a 3D Bravia TV, or any other 3D-capable set. How does it work? Sony fails to enlighten us, but it’s pretty easy to work out. Normal stereoscopic photos are taken by combining two images, usually snapped by two lenses and viewed by separate eyes. Sony’s cameras have just one lens, so some digital trickery is required.

When shooting 2D panoramas, the camera fires off a series of frames as you sweep the camera over the scene. To add another dimension, the camera most likely uses the camera’s accelerometer combined with image data taken from different angles (in the frames you have just shot) to work out what the eyes would see from different points. These can then generate a 3D image.

We’ll be interested to see just how good the effect is, but if it is anything like as seamless as the 2D panoramas, then this could prove to be more than just a gimmick. It is also free, if you have the camera (and a 3DTV). Available now.

Sony NEX 3D firmware update [Sony]

3D update for Sony’s NEX-5/NEX-3 cameras Free firmware adds 3D Sweep Panorama shooting [Sony]

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Photo: piszkosfreddy/Flickr


Sony NEX-5 and NEX-3 can shoot 3D panoramas with new firmware

Think Sony ain’t serious about 3D? Think again. The Japanese giant has just outed a promised firmware update for its ultra-slinky NEX series of shooters that will allow users to shoot 3D panoramas. Panorama stitching was already one of the touted features on these cameras, but with a little extra software magic they’ll now be able to collect “depth information” as well. We don’t know how strong a 3D effect you’re going to get, but since this is a free upgrade and a new way to play with your toy, we suggest grabbing the firmware first and asking questions later. Hit the source link for the download.

Sony NEX-5 and NEX-3 can shoot 3D panoramas with new firmware originally appeared on Engadget on Thu, 01 Jul 2010 02:58:00 EDT. Please see our terms for use of feeds.

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Stampy Camera Magically Turns Photos into Rubber-Stamps

The Stampy Digital Camera reminds me of those old “How To Draw Comic-Books” guides. You’d get a step one (stick men), step two (circles and rectangles) and a step three (the amazing, finished artwork). Somewhere there was a missing step 2.5, which was where the actual magic happened.

The Stampy also has this missing step. The camera takes a picture (step 1). You then pull it apart to reveal a rubber-stamp and ink-pad within (step 2) and then you simply slap it down onto a piece of paper to get a monochrome rendition of the photo you took (step 3). The missing step: How on earth does your picture get turned from photons of light into nodules of rubber?

It’s a real shame, as this instant-printing concept is clearly in the spirit of the original Polaroid. I suspect it will never be made until the designer, Jinhee Kim, actually invents a mechanism for then inside instead of relying on an a sprinkling of pixie-dust to make it happen.

In the meantime, I’d like to offer my own invention. It’s a teleportation device which will surely terrify the travel industry with its promise of free, instantaneous transportation. So far I have an almost working prototype made from two phone-booths, one in New York and one in London. Step one: You just walk in and dial the right number. Step 2: Poof! You’re gone. Step 3: a quick bagel for lunch. It’s almost done. I just need to work out step 2.5.

Digital Picture Now Comes Stamped [Yanko]


Solar-Powered Camera Strap Keeps You Shooting

Avoid dead camera batteries by putting a strip of solar panels on your camera strap. Simple, and rather clever, right? That’s exactly what Weng Jie’s Solar Camera Strap does, although in coming up with the design he forgot an important point: you can’t charge batteries while they are in the camera.

While some cameras come with charging docks or have their chargers built in so you just have to plug in a cable, most require a separate charger into which you pop the battery: a far better solution which doesn’t put your camera out of action as it juices up. Weng’s device runs the power generated by the strap into the camera’s DC-in socket via cable. This would let you use the camera as long as the light is bright, but there’d be no buffer if the Sun were to dip behind a cloud (there are a pair of batteries within the strap, but that’s not really ideal).

Still, those are mere details. Give me a way to use my camera all day without having to worry about running out of power and you’d have my cash. If you ever sell this strap, Weng, get in touch. And please, please make it in a darker color so it doesn’t pick up my neck-dirt.

Power Around My Neck [Yanko]


Cheap Manual Lenses Ported to Samsung NX

The lens is the most important part of your camera. It controls everything about the light that hits the sensor short of the length of the shutter speed. It is much better to put a great lens on a cheap camera than the other way around, something which goes frustratingly unheeded: just check a few photo forums to see people sticking crappy kit lenses onto Nikon D700s and Canon 5D MkIIs.

That’s not to say that Samyang’s range of lenses for Samsung’s mirrorless NX-series are bad. Without testing we won’t know for sure, but experience says that own-brand lenses are best, followed by those from top-tier third party makers like Sigma.

Three lenses are being ported to the Samsung mount. An 8mm ƒ3.5, a 14mm ƒ2.8 and an 85mm ƒ1.4. Of these, the 8mm would seem to be the most interesting. It will come in at around 12mm (35mm equivalent) on the NX APS-C sensor, and usually the main point with a fisheye is impact rather than absolute quality. The price has not yet been announced but the lens can be had for as little as $350 in other mounts.

The 85mm, on the other hand, is a flat-out portrait lens and goes for around $400. In this case, quality needs to be high. If Samyang manages this, then the ƒ1.4 lens will be an absolute bargain.

Tempted? Think twice. There is one huge drawback when using the lenses on a modern camera: No autofocus. This will probably be fine for the fisheye, but try that with the insanely shallow depth-of-field that an 85mm ƒ1.4 will give you and you’ll learn a thing or two about manual focussing and just how wobbly your hands really are.

Product page [Samyang via BJP]

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The best camera is the one you have with you, so I carry a very nice point-and-shoot everywhere. Nothing else has been good enough. But the iPhone 4 is. More »

New, Vintage Polaroid Cameras Sell Out in Hours

When you think of Polaroid, you probably picture the SX-70 OneStep Land Camera above, once the best selling camera in the US. If you had been awake yesterday, you could have bought one. Not any old reproduction, but a factory original, put together from real Polaroid parts by the folks at the Impossible Project, who got bought up the ruins of the Polaroid empire and resurrected it. Or at least brought it coughing and spluttering into life for long enough to figure out its secrets.

The Impossible Project already makes film for your Polaroid, but this SX-70, originally produced from 1977-1982, was a chance to buy history. It sold out within hours of appearing on Photojojo proving that, even at $210 and despite the attempted destruction of the Polaroid brand by its current owners, many of us still have a soft spot for the iconic camera.

The limited edition consisted of 50 hand-numbered camera complete with two packs of PX 100 First Flush Film. Fortunately for those now desperate to do some instant shooting, this film can be had for $21 per pack of eight exposures: all you need to do is visit your local thrift store and grab an old camera.

Impossible Project [Impossible]

Vintage Polaroid SX-70 OneStep Land Camera [Photojojo via Uncrate]

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Beautifully Hypnotic Video Details Canon Macro Lens Hack

This video is eight and a half minutes long. It is also a beautifully shot, hypnotic look inside a DSLR lens, which is easily worth your time. Oh, and it’s a follow-along hack, too, if you have the guts.

Y’all probably know how to turn any SLR lens into a super-close-up macro lens: you just pop it off the camera and flip it around, pointing the rather delicate rear element at your subject. There are even reversing rings available which make an interface betwixt camera bayonet and lens filter-ring so you don’t need both hands all the time.

But this amazing how-to from Lozzless goes way beyond, using a drill, a hacksaw, lots of epoxy glue and even some soldering to make a permanent macro-lens from a Canon 18-55mm kit zoom. Out come the autofocus controller, out come the electronics, and in comes a ribbon cable and a whole lot of work to join the computronical parts back together.

The result, apart from the beautifully shot video (we’re guessing it was made on a Canon 5D MkII due to the short depth-of-field, so shallow even a spider couldn’t drown in it), is a lens which snaps snugly to the front of a Canon SLR and still gives it full electronic control over the aperture. It also looks like some amazing Gibsionian hack. Good job, Lozzless. And nice music choice, too (it appears the Yo-Yo Ma and Philip Glass “collabo” is actually allowed by YouTube).

How to create SuperMacro lens [Lozzless / YouTube via Photography Bay]


75 Captured Candids [Photography]

For this week’s Shooting Challenge, I asked you to capture moments without all the posing and preplanning. And I will say, every one of the results offers an interesting look into the life of another. More »

Panasonic Details Micro Four Thirds Camcorder

Panasonic has released more details of its upcoming Micro Four Thirds (M4/3) camcorder, the mysterious AG-AF100, which was originally announced back in April. And while we have no price or firm launch date (we’re still looking at the end of the year), there is a lot for videographers to get excited about.

Most important, the camcorder will work with all of Panasonic’s G-series lenses, those made for the existing M4/3 stills cameras. This, by extension, means that you’ll also be able to use the available adapters to put just about any 35mm lens on the front.

Then come details of the shooting formats. The AF100 will shoot AVCHD video in 1080 and 720-line sizes, at frame rates of 59.94, 50, 29.97, 25 or 23.9p (this last mimics the frame rate of traditional film cameras). Up to 12-hours of footage can be captured to the twin SDXC card slots, and the camera will talk to microphones and other video hardware via standard XLR and HD-SDI sockets.

For a (presumably) budget-friendly price, a large-sensor camcorder with access to thousands of great lenses is a sweet prospect. It might not have the flexibility of video-shooting DSLRs like the Canon 5D MkII, but neither will you need to bolt on so many accessories that it ends up looking like a Borg. The (PDF) link to the product details is dead right now, but in the meantime you can read a little more at the intermediary DP Review page.

AG-AF100 details (PDF) [Panasonic via DP Review]

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