Canon produces 40 millionth EOS-series SLR, half of ’em digital

Oh, Canon — you and your milestones. Just under two years ago, you took time out of your busy schedule to gloat about the shipment of your 100 millionth compact camera, and today you’re bragging about the production of your 40 millionth EOS-series SLR camera. In all seriousness, we’re pretty proud of ya. After all, it took a full decade (1987 to 1997) for you to conjure up 10 million EOS film cameras, and six more after that to hit the magical 20 million mark. Once you blew through 30 million in 2007, it took but 28 months to get where you are today. What’s really wild, though, is that half of the milestone is all digital, and given the state of film today, we’re guessing that the delta between the two will only grow larger in the future. You’ve come a long way since the introduction of the EOS-1, but we know you’ve got a few surprises in store yet — how’s about a sub-$1,000 DSLR that shoots native 4K video and has an ISO ceiling of 1,000,000 to celebrate the rapidly approaching 50 million mark?

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Continue reading Canon produces 40 millionth EOS-series SLR, half of ’em digital

Canon produces 40 millionth EOS-series SLR, half of ’em digital originally appeared on Engadget on Thu, 13 May 2010 00:49:00 EST. Please see our terms for use of feeds.

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Canon debuts low-light lovin’ PowerShot SD4000 IS digicam

Ah, Spring. The season of pollen, grass mowing and enlarged electricity bills. Oh, and impending vacations. In order to get you prepared for that last one, Canon is introducing a new member of its Digital ELPH range today, the PowerShot SD4000 (or IXUS 300HS in other parts of the globe). Boasting a 10 megapixel back-illuminated CMOS sensor, DIGIC 4 image processing engine and a 3.8x optical zoom, this one also features an f/2.0 lens and the company’s own HS System in order to produce more satisfactory results in low light situations. It also touts an 8.4fps burst capture rate, an HD movie mode, HDMI output support, a Super Slow Motion movie mode (240fps) and a 3-inch rear LCD. Those who love riding the cutting edge will also appreciate the SDXC and Eye-Fi support, and if you’re already sold on the $349.99 device, you simply need to choose between red, silver, black or a limited edition white. Commence pondering.

Continue reading Canon debuts low-light lovin’ PowerShot SD4000 IS digicam

Canon debuts low-light lovin’ PowerShot SD4000 IS digicam originally appeared on Engadget on Tue, 11 May 2010 10:26:00 EST. Please see our terms for use of feeds.

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Olympus dishes silver PEN E-P2 Micro Four Thirds camera

Look, we’re not saying Olympus’ original all-black PEN E-P2 had no retro whatsoever in its blood, but you’ll be hard-pressed to convince us that this newer, silver-er model doesn’t have a whole lot more. Nearly six months after the (admittedly overpriced) Micro Four Thirds camera got pushed through the ringer, Olympus has decided that the world needs a second color option, though outside of the hue, there’s no difference whatsoever between the two models. It’ll ship later this month in Europe for a still-lofty €799 ($1,016), but at least that scores you a M. Zuiko Digital ED 14-42mm 1:3.5-5.6 lens! Ah, who are we kidding — that removes precisely zero pain from the sticker shock.

Olympus dishes silver PEN E-P2 Micro Four Thirds camera originally appeared on Engadget on Sun, 09 May 2010 05:58:00 EST. Please see our terms for use of feeds.

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Nikon Coolpix P100 reviewed, found to contain oodles of zoom and superb movie mode

If there is such a thing as a no-compromise point and shooter, the Coolpix P100 might just be it. It throws a back-illuminated 10 megapixel CMOS sensor in behind a 26x optical zoom lens, and supplements them with the hardware to record 1080p video at 30fps, with stereo mics pulling in sound, or full-resolution photos at a stunning 10fps clip. Throw in the articulating display on the back and you might already be asking where to buy one. Not so fast, though, as the Photography Blog guys have some notes for you. Firstly, the 10fps mode fills up the camera’s buffer after only 6 shots, and the usable burst mode is actually a (still decent) 2.8fps. There’s also the criticism that low-contrast detail is often lost thanks to overzealous noise reduction, but on the whole their experience of the camera was still positive. Macro performance was rated as “outstanding,” while Nikon’s Vibration Reduction was credited with performing its job admirably, and the conclusion was that casual photographers would get a lot of mileage (and fun) out of the P100. Read on for the full analysis.

Nikon Coolpix P100 reviewed, found to contain oodles of zoom and superb movie mode originally appeared on Engadget on Thu, 22 Apr 2010 10:52:00 EST. Please see our terms for use of feeds.

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Leica V-Lux 20 compact with 12x superzoom is pure brand extortion

It’s out — the V-LUX 20 — what was rumor is now official courtesy of a Leica press release. The 12.1 megapixel superzoom with 25-300mm Leica DC-VARIO-ELMAR 4.1-49.2mm f/3.3-4.9 ASPH lens and integrated GPS is slated to ship to the UK in May for a suggested retail price of £495 (about $757, likely a bit less when priced Stateside). The matte-black finished compact sports a 1/2.33-inch CCD sensor, 720p/60fps Motion JPEG video recording, a 460,000 pixel 3-inch LCD, 11-point AF, SD/SDHC/SDXC storage, and plenty of options to drop into manual mode when you want a bit more control of the action. Nice huh? Just remember that the V-Lux 20 is a near exact replica (same lens, sensor, LCD, and GPS) of the DMC-ZS7 which lists for just $399, is smaller, and shoots HD video in the more sophisticated AVCHD Lite format. Yeah, we know.

Leica V-Lux 20 compact with 12x superzoom is pure brand extortion originally appeared on Engadget on Tue, 20 Apr 2010 07:27:00 EST. Please see our terms for use of feeds.

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Leica V-Lux 20 gets leaked with (nearly) reasonable price tag

An M9 it ain’t, but Leica‘s latest still might tickle the fancy of those who see value in paying for that cute red logo. If the image above and details linked down there in the source are to be believed, the V-Lux 20 will be launching in five short days, bringing with it a 3-inch rear LCD, 25mm to 300mm zoom range, integrated GPS and price of nearly €549 ($744). The tough news is that this thing is based around Panasonic’s ZS-7, which can be had right now for under $400, so it’s hard to say how much value you’ll get in paying more for Leica’s variant. If all goes well, it’s rumored to be in stores by May 9th, sitting right alongside the ultra affordable leather case (€99) and extra battery (€69).

Update: Now even Leica is saying some “fresh” camera news is on the way. Boom.

Leica V-Lux 20 gets leaked with (nearly) reasonable price tag originally appeared on Engadget on Thu, 15 Apr 2010 16:04:00 EST. Please see our terms for use of feeds.

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Olympus serves up autofocus update for PEN E-P1, E-P2 and E-PL1 cameras

Got yourself a new PEN? If you’re nodding your head furiously up and down, you owe it to yourself to take ten minutes late next week and install a minty fresh update. Olympus has today let loose a new firmware build that improves auto focus performance for still images and high-definition video recording for the PEN E-P1, E-P2 and E-PL1 cameras. Better still, it enables the menu and recorded image to be displayed on the E-P2 and E-PL1 LCD while the VF-2 electronic viewfinder is in use. Unfortunately, the bits and bytes you’re after won’t be available to download until next Thursday (the 22nd), but till then, you can keep on using your Micro Four Thirds shooter while imagining how much better your images will be in just a few short days.

Continue reading Olympus serves up autofocus update for PEN E-P1, E-P2 and E-PL1 cameras

Olympus serves up autofocus update for PEN E-P1, E-P2 and E-PL1 cameras originally appeared on Engadget on Thu, 15 Apr 2010 11:08:00 EST. Please see our terms for use of feeds.

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How would you change Olympus’ E-PL1?

It’s half retro, half compact, and chock full of adventure. It’s Olympus’ PEN E-PL1, and it’s the first Micro Four Thirds camera from the company to boast an MSRP that you aren’t terrified to tell your friends about. We’ve spent some quality time with one here over the past month or so, and aside from a few minor quirks, we were fairly pleased with the overall package. But let’s be frank — that’s absolutely not why you’re here. You’re here to tell us how you’d change things if given the chance, and how you’d differentiate the E-PL1 from all those wannabes that seem to crop up every other month. Bump the megapixels? Improve the ISO performance? Offer it in neon green? The sky’s the limit, and comments are the place to dream.

How would you change Olympus’ E-PL1? originally appeared on Engadget on Fri, 09 Apr 2010 23:21:00 EST. Please see our terms for use of feeds.

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Pentax Optio I-10, Nikon S3000 and Canon PowerShot SX210 IS seen in the wild

‘Tis a nice day to dream about how much you could capture with a shiny new point-and-shoot, isn’t it? Our best buds over at Engadget Chinese were recently able to swing by an exhibition far, far away from US shores in order to catch some of the Spring’s finest new pocket shooters in action. The standouts? Canon’s succulent PowerShot SX210 IS (spotted in a variety of hues), Nikon’s 12 megapixel Coolpix S3000 and Pentax’s Optio I-10. We’ll confess — that I-10 really has our number, and its retro styling and accompanying leather case could find its way into our pockets any day. Just sayin’, is all. Hit that source link for the rest of the action.

Pentax Optio I-10, Nikon S3000 and Canon PowerShot SX210 IS seen in the wild originally appeared on Engadget on Tue, 06 Apr 2010 01:41:00 EST. Please see our terms for use of feeds.

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Samsung’s ST5000 and WiFi-infused ST5500 digicams emerge in Korea

How’s a company to follow-up on a point-and-shoot camera with two LCDs? Why, by tossing out a new one with integrated WiFi, of course! Originally teased last month, Samsung has gone ahead and rightfully introduced its new ST5000 and ST5500 over in South Korea, both of which tout 14.2 megapixel sensors, a 7x optical zoom and your choice of black or orange color schemes. The ST5000 gets gifted with a 3.5-inch rear touchscreen, while the ST5500 steps it up ever-so-slightly with a 3.7-inch AMOLED panel. The both of ’em can handle 720p movies at 30fps (H.264 format), and the HDMI output ensures that these will easily pipe footage to your nearby television. If you’re looking for built-in wireless for uploading or emailing pictures sans a PC, you’ll need to focus on the ST5500, but most every other internal feature on the big boy is also on the lesser guy. These seem to be headed out to South Korean shops as we speak, and we know that they’ll be landing within the next month over in Britain for £279.99 ($417) and £349.99 ($521), respectively. As for you Yanks? Be patient, we guess.

Samsung’s ST5000 and WiFi-infused ST5500 digicams emerge in Korea originally appeared on Engadget on Wed, 24 Mar 2010 19:58:00 EST. Please see our terms for use of feeds.

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