Panasonic Announces 3D Lens for Micro Four Thirds Cameras

Panasonic is really into 3D. Not only will it sell you a big 3D television with which to watch the latest Hollywood head-spinners, it will soon sell you a lens which can be popped onto a G-series camera and shoot your own stereoscopic pics.

The lens is actually two lenses in a single, compact housing. When you shoot an photo or video, two pictures are captured simultaneously onto your sensor. Obviously this reduces the overall resolution of the resulting images, but with video this shouldn’t matter as the footage is down-sampled from the giant photo-sensor. This double-image (or video) is then turned into a 3D one in software, to be viewed on one of Panny’s TVs.

The lens has not yet been given a launch date or a price (other than a vague “end of the year”), so plenty of questions remain unanswered. Will cameras need a firmware update to use the lens? That seems almost certain. Also, how good will the stereoscopic effect be with the two lenses so close together? And I’m assuming here that the cameras will actually shoot 3D video: the press release only mentions still images, but who wants to view their photos on a TV screen?

Still, we love that Panasonic is making 3D an optional extra for its Micro Four Thirds system. It’s this kind of innovation that is currently leaving the likes of Nikon and Canon behind, and we’re all for it. And it shouldn’t be long before somebody hacks their way around the 3D format and lets us do something useful with the images instead of looking at them on a TV.

Panasonic developing world’s first interchangable 3D lens for Micro Four Thirds (Press release) [DP Review]

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Panasonic’s 3D Lens Makes Third Dimension Dabbling Painless [Cameras]

We’ve seen Panasonic’s 3D camcorder, but the company is also releasing a standalone lens that will allow otherwise stock still cameras to shoot 3D. More »

Adapter Puts Nikon Lenses on Canon Bodies

Accessory maker Novoflex has a new lens adapter that will let you use Nikon F-mount lenses on Canon EOS bodies. It adds one big extra over previous versions: you get a ring to control aperture on Nikon G-lenses (those without an aperture ring.)

One of the great things about the little mirrorless cameras like the Panasonic G-series, the Olympus Pens and the Sony NEXes is that their currently meager lens line-up can be supplemented by other lenses old and new, just by using an adapter. SLRs, on the other hand, are pretty much stuck with the glass that was made for them.

An adapter has a thickness, and when you put one on a lens, you move that lens away from the film (or sensor). This stops the lens focusing at infinity (and will also allow it to focus a little closer). Thus, mounting a Canon lens on a Nikon body doesn’t work so well. The mirrorless cameras already have a lot of extra space to spare, so the adapters have room to fit. Novoflex has managed to get this ring thin enough not to cause focus problems.

The new EOS/NIK-NT adapter has an integrated aperture ring so that you can still set the hole-size. As G-series lenses are controlled entirely by electronics in the camera body, they need this extra to work on a Canon camera. Thus, auto-exposure (aperture priority) will work by actually stopping down the lens. Focus will still be manual, although infinity focus is maintained. If you have lenses with aperture rings, another adapter is available.

The problem is that there are plenty of great lenses for both Canon and Nikon, so we wonder why you’d need this adapter. For quick, fun experiments it will be great, but otherwise its hard to see the point. Especially when you consider the price, a rather odd $292.99.

Novoflex Adapter Finder [Novoflex via Photography Bay]

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iPhone 4 gets outfitted with vintage SLR lens

Sure, the iPhone 4 may have a pretty great camera as far as phones go, but there’s always room for improvement — right? Continuing the great tradition of iPhones awkwardly outfitted with camera lenses, one intrepid individual has now come up with a contraption that will let you “attach” a full-size SLR lens to your iPhone 4. While complete details are a bit light, Technabob notes that the camera mount at the bottom of the rig is a Manfrotto pocket tripod — so you at least have a place to start for building your own.

[Thanks, Demetri]

iPhone 4 gets outfitted with vintage SLR lens originally appeared on Engadget on Wed, 07 Jul 2010 21:39:00 EDT. Please see our terms for use of feeds.

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Cheap Manual Lenses Ported to Samsung NX

The lens is the most important part of your camera. It controls everything about the light that hits the sensor short of the length of the shutter speed. It is much better to put a great lens on a cheap camera than the other way around, something which goes frustratingly unheeded: just check a few photo forums to see people sticking crappy kit lenses onto Nikon D700s and Canon 5D MkIIs.

That’s not to say that Samyang’s range of lenses for Samsung’s mirrorless NX-series are bad. Without testing we won’t know for sure, but experience says that own-brand lenses are best, followed by those from top-tier third party makers like Sigma.

Three lenses are being ported to the Samsung mount. An 8mm ƒ3.5, a 14mm ƒ2.8 and an 85mm ƒ1.4. Of these, the 8mm would seem to be the most interesting. It will come in at around 12mm (35mm equivalent) on the NX APS-C sensor, and usually the main point with a fisheye is impact rather than absolute quality. The price has not yet been announced but the lens can be had for as little as $350 in other mounts.

The 85mm, on the other hand, is a flat-out portrait lens and goes for around $400. In this case, quality needs to be high. If Samyang manages this, then the ƒ1.4 lens will be an absolute bargain.

Tempted? Think twice. There is one huge drawback when using the lenses on a modern camera: No autofocus. This will probably be fine for the fisheye, but try that with the insanely shallow depth-of-field that an 85mm ƒ1.4 will give you and you’ll learn a thing or two about manual focussing and just how wobbly your hands really are.

Product page [Samyang via BJP]

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Beautifully Hypnotic Video Details Canon Macro Lens Hack

This video is eight and a half minutes long. It is also a beautifully shot, hypnotic look inside a DSLR lens, which is easily worth your time. Oh, and it’s a follow-along hack, too, if you have the guts.

Y’all probably know how to turn any SLR lens into a super-close-up macro lens: you just pop it off the camera and flip it around, pointing the rather delicate rear element at your subject. There are even reversing rings available which make an interface betwixt camera bayonet and lens filter-ring so you don’t need both hands all the time.

But this amazing how-to from Lozzless goes way beyond, using a drill, a hacksaw, lots of epoxy glue and even some soldering to make a permanent macro-lens from a Canon 18-55mm kit zoom. Out come the autofocus controller, out come the electronics, and in comes a ribbon cable and a whole lot of work to join the computronical parts back together.

The result, apart from the beautifully shot video (we’re guessing it was made on a Canon 5D MkII due to the short depth-of-field, so shallow even a spider couldn’t drown in it), is a lens which snaps snugly to the front of a Canon SLR and still gives it full electronic control over the aperture. It also looks like some amazing Gibsionian hack. Good job, Lozzless. And nice music choice, too (it appears the Yo-Yo Ma and Philip Glass “collabo” is actually allowed by YouTube).

How to create SuperMacro lens [Lozzless / YouTube via Photography Bay]


Rayqual adapters bring Leica, Nikon, and Canon lenses to Sony’s NEX cameras

Sony’s new NEX-3 and NEX-5 cameras may have a few limitations when it comes to their UI, but it looks like they won’t be hurting for lens options — Japan’s Rayqual has announced that it’ll be offering a series of lens adapters for the cameras starting next month. Those will let you attach any number of Leica, Nikon or Canon lenses to the compact shooter, although you’ll expectedly have to make do without autofocus if you decide to venture beyond Sony’s own lenses for the cameras. They also won’t come cheap, with the adapters set to run ¥19,950 to ¥25,200, or roughly $220 to $275 — although that could be a small price to pay if you’ve already invested in some serious glass.

Rayqual adapters bring Leica, Nikon, and Canon lenses to Sony’s NEX cameras originally appeared on Engadget on Fri, 18 Jun 2010 10:12:00 EDT. Please see our terms for use of feeds.

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Lens Adapters Put Leica, Nikon, Canon Lenses on Sony NEX

One of the biggest (and most overlooked) advantages of mirrorless cameras is that they can be adapted to work with almost any lens there is. The short distance between the throat of the lens-mount and the sensor means that there is a lot of space for an adapter. Rayqual, a Japanese manufacturer, has just announced a range of these adapters for the new Sony NEX-3 and NEX-5 cameras.

Lens adapters for 35mm SLRs don’t really work well as the extra thickness pushes the lens forward and prevents it from focusing at infinity (you can still shoot close up, though. In fact, macro-extension tubes exploit this focus shift to do their job). But there is a good inch of room to play with on mirrorless cameras, so the adapters work well. I use one on a Panasonic GF1 to attach Nikon lenses. You lose auto-focus, but otherwise it works great.

Rayqual’s new adapters let you mount Nikon, Canon FD, Pentax and Leica lenses onto the Sonys. If you are using modern lenses designed for crop-sensors, you will have minimal changes to the focal length, as the NEX cameras also have APS-C sized sensors.

Shipping next month, the adapters will run from ¥19,950 to ¥25,200, or $220 to $275.

NEX adapters [Rayqual via DP Review]

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121 Flaring Wallpapers [Photography]

For this week’s Shooting Challenge, you were asked to reignite our interest in lens flare. And, at least for me, you did. More »

New 35mm ƒ1.4 Lens from Leica Costs More than Your Car

leica-summilux-25-141

Leica has added a 35mm ƒ1.5 rangefinder lens to its digital M-series lineup. Previously, the only electronic 35mm to be had was the rather slow ƒ2.5 model, hardly the kind of fast lens that we expect to use on these compact, go-anywhere bodies. On the other hand, that lens came from the “budget” Summarit-M range, all of which had the same maximum aperture of ƒ2.5 and lacked any aspherical lens elements.

That older 35mm lens can be had for $1,700 street. The new Leica Summilux-M 35 mm ƒ1.4 ASPH adds back in all these luxury elements and will cost $5,000. It also comes bundled with a metal lens hood which costs $150 when sold alone.

Leica lenses aren’t about the specs. You’ll find no image stabilization here, nor even a zoom (zooms wouldn’t even work well with a rangefinder. The closest you’ll get is a three-way, multi-telephoto setup). They’re about the engineering, the image quality and the hand-made-ness of each lens the company turns out.

The only concession to modernity is hidden inside. These lenses have a 6-bit encoding in them which tells the camera which model it is.

This lens will probably be as stunning as any from Leica, and well done to Leica for getting back to what it does best: making lenses. It’s M-series bodies are increasingly irrelevant, if well made, but the lenses, which will work on any Leica film camera (or Micro Four Thirds camera with an adapter) are possibly still the best lenses you can buy. Available July.

Summilux product page [Leica via Leica Rumors]