Panasonic’s AF100 Micro Four Thirds video camera considers itself ‘professional’

We’re not sure where Panasonic gets off calling its AG-AF100 a “professional” digital video camera. It’s certainly not in the same class as RED or ARRI Alexa. It is, however, a very interesting video rig for shooting flicks on a budget with its Micro Four Thirds sensor and collection of micro 4/3 lenses, filters, and adapters. The AF100 records native 1080/24p using the AVC/ H.264 Hi Profile AVCHD codec to a pair of SD slots supporting both SDHC and newer SDXC removable media. The AVCCAM HD camcorder features a pair of XLR inputs, 48-kHz/16-bit two-channel digital audio recording, and supports LPCM/Dolby-AC3; it also packs USB 2.0, HD-SDI out, HDMI, a built-in stereo mic, and time code recording. So yeah, it won’t record the next Hollywood blockbuster but it’ll probably do fine by indie filmmakers without breaking the film school budget. Perhaps we’ll better understand all this professional talk when Panny reveals its price in time for a year-end launch.

Panasonic’s AF100 Micro Four Thirds video camera considers itself ‘professional’ originally appeared on Engadget on Mon, 12 Apr 2010 03:17:00 EST. Please see our terms for use of feeds.

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How would you change Olympus’ E-PL1?

It’s half retro, half compact, and chock full of adventure. It’s Olympus’ PEN E-PL1, and it’s the first Micro Four Thirds camera from the company to boast an MSRP that you aren’t terrified to tell your friends about. We’ve spent some quality time with one here over the past month or so, and aside from a few minor quirks, we were fairly pleased with the overall package. But let’s be frank — that’s absolutely not why you’re here. You’re here to tell us how you’d change things if given the chance, and how you’d differentiate the E-PL1 from all those wannabes that seem to crop up every other month. Bump the megapixels? Improve the ISO performance? Offer it in neon green? The sky’s the limit, and comments are the place to dream.

How would you change Olympus’ E-PL1? originally appeared on Engadget on Fri, 09 Apr 2010 23:21:00 EST. Please see our terms for use of feeds.

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Olympus Pen E-PL1 spins up a review cycle

Olympus’ E-PL1 is a camera on a mission — it not only shrinks the entry-level price tag for Micro Four Thirds cameras to $600, it retains the same 12.3 megapixel sensor, image processor, autofocus and metering systems of its elder, the E-P1, while introducing its own advantages that even the pricier E-P2 doesn’t offer (hello, integrated flash!). With a 720p movie mode, a 14-42mm kit lens, and access to the growing catalog of Micro Four Thirds glass, it really looks like a guaranteed win for the company, but it’s always good to run it through a few tests to make sure. While it sports a body rather richer in plastic than its senior siblings, we’re told the E-PL1 still feels robust in the hand, and its control scheme is commended for being accessible to novices and including a dedicated video recording button. Image quality is ranked, as was to be expected, right on par with the costlier models with only the more professionally inclined ISO 3200 and 1/2000th shutter speed proving limiting. Get reading for fuller impressions as well as some sample video shot with the E-PL1.

Read – Photography Blog
Read – Pocket-lint
Read – dpreview
Read
– CNET
Read – Imaging Resource

Olympus Pen E-PL1 spins up a review cycle originally appeared on Engadget on Mon, 08 Mar 2010 07:39:00 EST. Please see our terms for use of feeds.

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Panasonic G2 Adds Touch-To-Shoot Screen, 1080p Video

dmc-g2k

Panasonic continues to tear a hole through the high-end camera market with an update to its original Micro Four Thirds camera, the G1. In fact, there are two new bodies and one new lens.

Both the G2 and G10 share the same body and 12.1 MP sensor with the G1. The G2 is the high-end model, and adds AVCHD-Lite video recording (1080p) and a camera-controlling, flip-out touch-screen. The G10 has 1080p motion JPEG, loses the touch and flip functions of the G2, and gets a lower-resolution electronic viewfinder.

The G2 is the camera you should buy (although prices and launch dates are still unannounced, the spec differences are enough to say the the G10 is a rather crippled version of the G2). The viewfinder alone is probably worth it, at 1,440,000-dots. This is half as many dots again as the LCD panels found on today’s best DSLRS, and it is in a tiny viewfinder. I imagine it is rather good. By comparison the G10 has just 202,000-dots, just like the truly awful add-on electronic finder for the GF1 compact.

Video, too, is crippled in the G10. Sure, it’s 1080p, but it uses the space-hungry Motion JPEG format. If you remember that the processors inside both these cameras is the same, and that the GF1 can do both Motion JPEG and AVCHD, then you’ll see that this is intentionally switched off to separate the models.

At least they both have the same 460,000 dot LCD screen, and the touch and flip of the G2’s LCD is a very nice addition. The touch can be used to focus on subjects, navigate the controls and even release the shutter. The camera will even lock onto an eye and keep it in focus. You can also stick to the old manual controls if you like (the control dial has been moved to the back of the body).

The G2 is a solid, if incremental, upgrade: good news for owners of the original, who can safely stick with what they have for another year (unless they are desperate for video). The G10 marks a new, entry-level model, which we expect to see at a fairly low price.

Both come with the new kit lens, the 14-42mm ƒ3.5-5.6 ASPH with image stabilization. That’s a touch shorter than the original 14-45mm kit lens, replaces the metal mount with plastic and loses the image stabilization on/off switch on the barrel.

The price and launch dates are still unknown. If you don’t already have a GX and are in the market for one — hold off. Of you have one already, enjoy your camera for another year until the G3 is inevitably announced.

Lumix Digital Interchangeable Lens Cameras [Panasonic]

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Panasonic gets official with Lumix DMC-G2 and DMC-G10 Micro Four Thirds cameras

Panasonic has the news day all to itself with its newfangled pair of Micro Four Thirds shooters, and in case you were wondering — yeah, this is the exact same duo that we saw slip out on Friday. Up first is the Lumix DMC-G2, which looks an awful lot like the G1 it replaces and is touted as the first interchangable lens system camera with touch-control shooting. Granted, we haven’t exactly warmed to the idea of using a touchpanel to fire off a shot, but hey, it is what it is. Other specs include a 12.1 megapixel Live MOS sensor, Venus Engine HD II technology, a 3-inch rear LCD and a 720p (AVCHD Lite) movie mode, though curiously enough a price and release date eludes us. Moving on, there’s the DMC-G10, which is supposedly the “world’s lightest” interchangeable lens camera with a viewfinder; this one packs the same 12.1 megapixel sensor and Venus Engine HD II as on the G2, but the 3-inch LCD lacks tilt / swivel / touch options. We’re still waiting on pricing for this one as well, but now is as good a time as any to mention that both fully support those obnoxiously expensive SDXC cards. Huzzah!

Panasonic gets official with Lumix DMC-G2 and DMC-G10 Micro Four Thirds cameras originally appeared on Engadget on Sun, 07 Mar 2010 10:06:00 EST. Please see our terms for use of feeds.

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Panasonic leaks own G2 and G10 Micro Four Thirds cams in macro fashion

Whoopsadaisies. Seems Panasonic “accidentally” posted specs and images of its upcoming G2 and G10 Micro Four Thirds cameras to its web site just long enough to be snagged by a few different photog sites. While there’s no denying that the incident occurred (the pics are certainly legit), there’s some speculation at 43rumors that the specifications are still “work in progress” and should be considered only partially correct. Nevertheless, let’s go with what we’ve got keeping in mind that some of this might change. Both cams are said to feature a 12.1 megapixel sensor, touchscreen with touch shutter and touch MF Assist, and ISO 100 to 6,200 sensitivity. The G2 differs with its one-touch AVCHD Lite movie mode (1,280 x 720, 60p) and 3-inch articulating display with live view. The G10 then, offers a “double live view” (LCD and live view finder) glimpse at the action while recording 1,280 x 720p motion JPEG videos at 30fps. However, the leaked spec sheet inconsistently mentions an AVCHD Lite recording format for the G10 as well… so who knows. Panasonic is expected to make an announcement on March 7th; surely you can wait you a few days?

Panasonic leaks own G2 and G10 Micro Four Thirds cams in macro fashion originally appeared on Engadget on Fri, 05 Mar 2010 03:40:00 EST. Please see our terms for use of feeds.

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Mysterious yellow and black cards lead to wild Nikon speculation

You know what’s black and yellow all over, fits in the average mailbox and gets the imaginations of camera junkies running wild? These cards, that’s what. Over the past few days, mysterious cards have begun to arrive in the hands of Nikon users, and while the company’s name is nowhere to be found, the colors and hints are starting to build a case for something new. It seems a countdown from 8 has begun, with the first card stating “I am…” and the second “I am fun….” In case you weren’t aware, Nikon has yet to dabble in the Micro Four Thirds world (or even hint at a competitor like Samsung’s NX range), but whispers of a so-called EVIL lineup have been building steam. Nikon aficionados have pointed out that the countdown will end just prior to a UK press meeting on March 8th, which could very well mean that an all-new compact is just days away from being properly revealed. Or it could be nothing at all. Keep your expectations low — it’s better to be pleasantly surprised than deflated and alone, right?

Mysterious yellow and black cards lead to wild Nikon speculation originally appeared on Engadget on Mon, 01 Mar 2010 01:39:00 EST. Please see our terms for use of feeds.

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Olympus PEN E-PL1 Micro Four Thirds camera now shipping for $600

Next month? Psshh. For those hankering for a slice of that oh-so-tempting Micro Four Thirds pie, Olympus’ new and improved PEN E-PL1 is now shipping (in blue and gold, anyway) from Amazon. If you’ll recall, the company told us that it wouldn’t be available until March when it launched three weeks ago, but hey, you won’t find us kvetching about early availability. For those who’ve forgotten, this compact camera touts the same 12.3 megapixel image sensor as the E-30 and E-620, and the $599.99 asking price also nets you a 14-42mm f/3.5-5.6 Zuiko zoom lens. Good luck resisting.

[Thanks, Ron]

Olympus PEN E-PL1 Micro Four Thirds camera now shipping for $600 originally appeared on Engadget on Wed, 24 Feb 2010 10:22:00 EST. Please see our terms for use of feeds.

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Do Mirrorless Cameras Spell the Death of DSLRs?

novoflexnx1

Above, you see a Samsung NX10 with an adapter that lets you put almost any lens on the front, from Nikon, Minolta, Canon, Leica and others. The adapter could be the most disruptive widget in the camera market.

There’s one thread running through the PMA photography trade show this year: mirrorless, interchangeable-lens cameras. These cameras, pioneered by Olympus and Panasonic with their Micro Four Thirds format, have become very popular with pros and serious amateurs who want great results but don’t want to lug around a big DSLR. Samsung has already shown its commitment to its NX format with eight lenses announced in under two months, and Sony is also getting in on the game sometime this year with a mirrorless Alpha.

This is great news, but what does it mean for the DSLR, which has for years been the fastest growing sector of the camera market? A DSLR used to be the only way to go if you wanted a camera that had a big sensor and a reasonably responsive shutter. The other benefits, like interchangeable lenses, are arguably only there for the more serious. Take a look around you next time you’re in a tourist spot and you’ll see mostly sub-$1,000 SLRs with the kit zooms still on the front.

Now, those buyers can buy something like the Samsung NX10 or the Olympus Pen and have everything they need, in a much smaller package. This alone is enough to shake things up. But the adapter above, versions of which are also available for Micro Four Thirds cameras, is even more dangerous to the current market. You can now use pretty much any lens ever made on a modern digicam.

Adapters have been around for years, but they never worked well. The extra length they added to a lens meant that it would be mounted too far off the body, and couldn’t focus at infinity. But because these new cameras don’t have mirror boxes, their native lenses sit much closer to the sensor. Adapters, then, have to move DSLR lenses further away. This is why they work so well with these little cameras.

Traditionally, you never really bought into a camera brand. You bought into a range of lenses. Once you had a few grand’s worth of Nikon glass, you weren’t going to buy a Canon body. Now, if you’re willing to sacrifice some automation, you can swap as much as you like. For the enthusiast, this brings cheap old manual lenses back from the dead. Expect secondhand prices to rise.

Does this spell the end for the Nikon/Canon duumvirate? Not really. Both companies will surely release cameras soon, and they could have one big advantage. All they need to do is make their own adapters so that their legacy lenses can talk to the bodies, allowing autofocus and aperture control. That alone would make me buy a mirrorless Nikon in a second (I have a lot of Nikon glass).

The DSLR won’t die. But it could become a niche product, and the specialist tool of the professional.

Novoflex shows adapters for Samsung NX [DP Review]

Photo: DP Review

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Sigma trio espied at PMA, COO expresses interest in supporting ‘mirrorless camera systems’

Still no word on price, but Sigma’s recently-announced DP2s, DP1x, and SD15 cameras were on hand at PMA, just out of reach of our greasy hands. A shame, really, but at least we managed to at least stand in the trinity’s presence, right? Perhaps more interesting comes from the mouth of Chief Operating Officer Kazuto Yamaki, who in an interview with Digital Photography Review predicts that zoom lenses are in the future for mirrorless camera systems — which, for those not hip to his jive, apparently include Olympus’ and Panasonic’s Micro Four Thirds shooters, Samsung’s “hybrid DSLR” NX10, and quite possibly Sony’s new Alpha compact concept. Color us intrigued, but as Yamaki noted, it’s all a matter of whether or not the market picks up. Let’s hope — those cameras featured above? Closer shots below.

Sigma trio espied at PMA, COO expresses interest in supporting ‘mirrorless camera systems’ originally appeared on Engadget on Mon, 22 Feb 2010 21:57:00 EST. Please see our terms for use of feeds.

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